Shakespeare's Changing Use of Psychological Reference in His ComediesStanford University, 1978 - Počet stran: 504 |
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Strana 5
... morality plot , however , are inspired by a clearly defined moral purpose : each event is one step in the moral degeneration and later rehabilitation of the Everyman protagonist . Still both of these native fictional forms tend to use ...
... morality plot , however , are inspired by a clearly defined moral purpose : each event is one step in the moral degeneration and later rehabilitation of the Everyman protagonist . Still both of these native fictional forms tend to use ...
Strana 31
... moral attitudes or psychological types , the later comedies allow characters to create their moral natures and make probable their future actions by their choices . Antonio and Shylock or Hero and Claudio do not direct their own fates ...
... moral attitudes or psychological types , the later comedies allow characters to create their moral natures and make probable their future actions by their choices . Antonio and Shylock or Hero and Claudio do not direct their own fates ...
Strana 31
... moral attitudes or psychological types , the later comedies allow characters to create their moral natures and make probable their future actions by their choices . Antonio and Shylock or Hero and Claudio do not direct their own fates ...
... moral attitudes or psychological types , the later comedies allow characters to create their moral natures and make probable their future actions by their choices . Antonio and Shylock or Hero and Claudio do not direct their own fates ...
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accept action affections All's allow Anatomy of Melancholy Angelo Antonio appears argues become behavior believes Bertram blood body characters choice Christian classical Claudio comedy comic complicated confusion contrasts create critical describes desires discussion dramatic Duke earlier Elizabethan error ethical evil explain faculty fall final golden happiness hath heart Helena honor human humour imagination interest interpretive jealousy judgment justice King knowledge language later Leontes less lost lovers man's Measure Merchant of Venice mercy moral motive Narrative nature never Night offers Olivia Orsino parallels passion pastoral Plautus play plot presented Press problem promise proper Proteus psychology qualities rational reason recognizes reference renaissance repentance role romance scene sense Shakespeare Shylock similar sins soul story structure suggest Tale things thou true truth Twelfth types University Viola virtue warns weakness wife wisdom