Shakespeare's Changing Use of Psychological Reference in His ComediesStanford University, 1978 - Počet stran: 504 |
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Strana 26
... motive by the use of psychological reference than in contrasting moral attitudes or psychological types . When he deviated from his sources , and attempted to justify events and develop either his own themes or those inter- polated from ...
... motive by the use of psychological reference than in contrasting moral attitudes or psychological types . When he deviated from his sources , and attempted to justify events and develop either his own themes or those inter- polated from ...
Strana 71
... motive . Shakespeare , however , has motivated his antagonists by means of humour psychology and the psychology of the passions . In this way he is able to ascribe motives to his villains without analyzing the reason why they are evil ...
... motive . Shakespeare , however , has motivated his antagonists by means of humour psychology and the psychology of the passions . In this way he is able to ascribe motives to his villains without analyzing the reason why they are evil ...
Strana 76
... motives more closely . It soon becomes clear that they are used to clarify the philosophical contrasts around which the charac- ters are grouped as much as to establish a convincing motive for a mur- derous hatred . Antonio , we learn ...
... motives more closely . It soon becomes clear that they are used to clarify the philosophical contrasts around which the charac- ters are grouped as much as to establish a convincing motive for a mur- derous hatred . Antonio , we learn ...
Běžně se vyskytující výrazy a sousloví
accept action affections All's allow Anatomy of Melancholy Angelo Antonio appears argues become behavior believes Bertram blood body characters choice Christian classical Claudio comedy comic complicated confusion contrasts create critical describes desires discussion dramatic Duke earlier Elizabethan error ethical evil explain faculty fall final golden happiness hath heart Helena honor human humour imagination interest interpretive jealousy judgment justice King knowledge language later Leontes less lost lovers man's Measure Merchant of Venice mercy moral motive Narrative nature never Night offers Olivia Orsino parallels passion pastoral Plautus play plot presented Press problem promise proper Proteus psychology qualities rational reason recognizes reference renaissance repentance role romance scene sense Shakespeare Shylock similar sins soul story structure suggest Tale things thou true truth Twelfth types University Viola virtue warns weakness wife wisdom