Shakespeare's Changing Use of Psychological Reference in His ComediesStanford University, 1978 - Počet stran: 504 |
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Výsledky 1-3 z 32
Strana 50
... parallels the action in the main plot , constituting a sub - plot that is a sustained commentary on the main action . The characters from the English countryside , in the manner of Launce and Speed in The Two Gentlemen of Verona , offer ...
... parallels the action in the main plot , constituting a sub - plot that is a sustained commentary on the main action . The characters from the English countryside , in the manner of Launce and Speed in The Two Gentlemen of Verona , offer ...
Strana 57
... parallels which clarify by contrast . In the three " golden " comedies , Shakespeare regularizes these practices , making them the basis for a comic , and closely related thematic structure . In all three he develops both main and ...
... parallels which clarify by contrast . In the three " golden " comedies , Shakespeare regularizes these practices , making them the basis for a comic , and closely related thematic structure . In all three he develops both main and ...
Strana 67
... parallels Shylock's insistence upon justice and his bond . Arragon , as had Shylock earlier , would deduce human worth from quantitative measures ( birth , graces , fortune , breeding ) . However , love , as opposed to lust , the heart ...
... parallels Shylock's insistence upon justice and his bond . Arragon , as had Shylock earlier , would deduce human worth from quantitative measures ( birth , graces , fortune , breeding ) . However , love , as opposed to lust , the heart ...
Běžně se vyskytující výrazy a sousloví
accept action affections All's allow Anatomy of Melancholy Angelo Antonio appears argues become behavior believes Bertram blood body characters choice Christian classical Claudio comedy comic complicated confusion contrasts create critical describes desires discussion dramatic Duke earlier Elizabethan error ethical evil explain faculty fall final golden happiness hath heart Helena honor human humour imagination interest interpretive jealousy judgment justice King knowledge language later Leontes less lost lovers man's Measure Merchant of Venice mercy moral motive Narrative nature never Night offers Olivia Orsino parallels passion pastoral Plautus play plot presented Press problem promise proper Proteus psychology qualities rational reason recognizes reference renaissance repentance role romance scene sense Shakespeare Shylock similar sins soul story structure suggest Tale things thou true truth Twelfth types University Viola virtue warns weakness wife wisdom