Shakespeare's Changing Use of Psychological Reference in His ComediesStanford University, 1978 - Počet stran: 504 |
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Strana 30
... qualities of both good and evil , characters who fail to distinguish between good and evil properly , but who may , through experience , become aware of their mistakes and correct them . In The In the early comedies Shakespeare does not ...
... qualities of both good and evil , characters who fail to distinguish between good and evil properly , but who may , through experience , become aware of their mistakes and correct them . In The In the early comedies Shakespeare does not ...
Strana 56
... qualities which these plays share and which give them their distinctive flavor . In this chapter the first three will be treated Twelfth Night will be saved for the fourth chapter be- as a group . cause it hints of a developing comic ...
... qualities which these plays share and which give them their distinctive flavor . In this chapter the first three will be treated Twelfth Night will be saved for the fourth chapter be- as a group . cause it hints of a developing comic ...
Strana 84
... qualities as kindness , generosity , charity , or their opposites , but we are not asked to deduce this from the action occurring on the stage . These qualities are ascribed to them , and , if you will , define and delimit them ...
... qualities as kindness , generosity , charity , or their opposites , but we are not asked to deduce this from the action occurring on the stage . These qualities are ascribed to them , and , if you will , define and delimit them ...
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accept action affections All's allow Anatomy of Melancholy Angelo Antonio appears argues become behavior believes Bertram blood body characters choice Christian classical Claudio comedy comic complicated confusion contrasts create critical describes desires discussion dramatic Duke earlier Elizabethan error ethical evil explain faculty fall final golden happiness hath heart Helena honor human humour imagination interest interpretive jealousy judgment justice King knowledge language later Leontes less lost lovers man's Measure Merchant of Venice mercy moral motive Narrative nature never Night offers Olivia Orsino parallels passion pastoral Plautus play plot presented Press problem promise proper Proteus psychology qualities rational reason recognizes reference renaissance repentance role romance scene sense Shakespeare Shylock similar sins soul story structure suggest Tale things thou true truth Twelfth types University Viola virtue warns weakness wife wisdom