Shakespeare's Changing Use of Psychological Reference in His ComediesStanford University, 1978 - Počet stran: 504 |
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Strana 121
... weakness that he believes has prevented a Greek victory . If Achilles ' refusal to fight constitutes insubordination in the state , vanity has led to a similar insubordination among the faculties of his soul . Imagin'd [ worth ] Holds ...
... weakness that he believes has prevented a Greek victory . If Achilles ' refusal to fight constitutes insubordination in the state , vanity has led to a similar insubordination among the faculties of his soul . Imagin'd [ worth ] Holds ...
Strana 122
... weakness of the Greeks is to place an improper emphasis upon physical capability , the Trojan weakness is to sacrifice rational choice and their town's safety to personal glory . Troilus and Paris equate reason with cowardice , and ...
... weakness of the Greeks is to place an improper emphasis upon physical capability , the Trojan weakness is to sacrifice rational choice and their town's safety to personal glory . Troilus and Paris equate reason with cowardice , and ...
Strana 159
... weakness : he is that most unsympathetic character , the prig . Apart from a brief appearance in the first scene , Angelo does not participate in the action until the beginning of the second act . When he appears to defend his harsh ...
... weakness : he is that most unsympathetic character , the prig . Apart from a brief appearance in the first scene , Angelo does not participate in the action until the beginning of the second act . When he appears to defend his harsh ...
Běžně se vyskytující výrazy a sousloví
Achilles action All's Angelo Antonio appetite argues Bassanio behavior believes Bertram blood Bullough Camillo casket characters Christian Claudio Comedy of Errors complicated confusion contrasts Countess create crimes Cymbeline describes Dramatic Sources Duke Elizabethan emotions Ends ethical evil explain faculty psychology final Florizel fool Gentlemen of Verona golden Greek happiness hath hatred Hector Helena Hermione hierarchical honor Hooker human humour imagination innocence interpretation Isabella jealousy judgment justice King Lafeu language later comedies Leontes Love's Labour's Lost lovers madness Malvolio man's Measure for Measure medieval melancholy Merchant of Venice mercy Minde in Generall motive Narrative and Dramatic nature Olivia Orsino parallel Parolles pastoral Perdita plot Polixenes Portia portrayed Posthumus promise protagonists Proteus rational reason recognizes renaissance repentance role romance scene sense Shakespeare Shakespeare's play Shakespearean comedy Shylock sins soul thou Troilus and Cressida Trojan Twelfth Night villains Viola virtue warns wife Winter's Tale wisdom