The Physiology of the Novel: Reading, Neural Science, and the Form of Victorian FictionOUP Oxford, 27. 9. 2007 - Počet stran: 277 How did the Victorians read novels? Nicholas Dames answers that deceptively simple question by revealing a now-forgotten range of nineteenth-century theories of the novel, a range based in a study of human physiology during the act of reading, He demonstrates the ways in which the Victorians thought they read, and uncovers surprising responses to the question of what might have transpired in the minds and bodies of readers of Victorian fiction. His detailed studies of novelcritics who were also interested in neurological science, combined with readings of novels by Thackeray, Eliot, Meredith, and Gissing, propose a vision of the Victorian novel-reader as far from the quietly immersed being we now imagine - as instead a reader whose nervous system was addressed, attacked, andsoothed by authors newly aware of the neural operations of their public. Rich in unexpected intersections, from the British response to Wagnerian opera to the birth of speed-reading in the late nineteenth century, The Physiology of the Novel challenges our assumptions about what novel-reading once did, and still does, to the individual reader, and provides new answers to the question of how novels influenced a culture's way of reading, responding, and feeling. |
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Strana 168
... Meredith's work as nothing but a series of choice epigrams . In 1888 an American admirer , Mary Rebecca Foster Gilman , produced with Meredith's reluctant approval The Pilgrim's Scrip : or , The Wit and Wisdom of George Meredith ( its ...
... Meredith's work as nothing but a series of choice epigrams . In 1888 an American admirer , Mary Rebecca Foster Gilman , produced with Meredith's reluctant approval The Pilgrim's Scrip : or , The Wit and Wisdom of George Meredith ( its ...
Strana 170
... Meredith's biblio- graphical imagination has yet to be registered . Meredith's interest in print is , pervasively , an interest in fragmentation . His readers are readers of parts ; the typographical conventions they consume and use as ...
... Meredith's biblio- graphical imagination has yet to be registered . Meredith's interest in print is , pervasively , an interest in fragmentation . His readers are readers of parts ; the typographical conventions they consume and use as ...
Strana 175
... Meredith combines the facts of book materiality with an up - to - date psy- chological understanding of the units of consciousness to produce a fictional practice composed of small parts - aphorisms , flashes of insight , minute scenes ...
... Meredith combines the facts of book materiality with an up - to - date psy- chological understanding of the units of consciousness to produce a fictional practice composed of small parts - aphorisms , flashes of insight , minute scenes ...
Obsah
List of Illustrations X | 1 |
Mass Reading and Physiological Novel Theory | 25 |
Thackeray and Attention | 73 |
Autorská práva | |
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The Physiology of the Novel:Reading, Neural Science, and the Form of ... Nicholas Dames Náhled není k dispozici. - 2007 |
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absorption acceleration aesthetic Alexander Bain Athenaeum attempt attention audience Bain become British called Cambridge century characters claim cognitive consciousness consumption contemporary cultural Dallas Daniel Deronda distraction duration E. S. Dallas effect Egoist Eliot elongated Emotions English Essays F. R. Leavis fact fiction formal fragmented G. H. Lewes genre George George Eliot George Gissing George Meredith Gissing Gissing's Grub Street Gwendolen Huey I. A. Richards Ibid James Javal kind Lewes's literary criticism literary form literary theory Literature London Lubbock melody mental Meredith mind narrated narrative Newcomes nineteenth-century notion novel-reading novelistic organic Oxford physiological novel theory Physiology of Reading plot practice prose Psychology R. H. Hutton rapid reader readerly reading physiology Reardon recent reverie Review Richards's sensation social speed speed-reading textual Thackeray Thackeray's theorists three-decker three-volume novel University Press Vanity Fair Victorian novel Victorian physiology Wagner Wagnerian words writing York