The Physiology of the Novel: Reading, Neural Science, and the Form of Victorian FictionOUP Oxford, 27. 9. 2007 - Počet stran: 277 How did the Victorians read novels? Nicholas Dames answers that deceptively simple question by revealing a now-forgotten range of nineteenth-century theories of the novel, a range based in a study of human physiology during the act of reading, He demonstrates the ways in which the Victorians thought they read, and uncovers surprising responses to the question of what might have transpired in the minds and bodies of readers of Victorian fiction. His detailed studies of novelcritics who were also interested in neurological science, combined with readings of novels by Thackeray, Eliot, Meredith, and Gissing, propose a vision of the Victorian novel-reader as far from the quietly immersed being we now imagine - as instead a reader whose nervous system was addressed, attacked, andsoothed by authors newly aware of the neural operations of their public. Rich in unexpected intersections, from the British response to Wagnerian opera to the birth of speed-reading in the late nineteenth century, The Physiology of the Novel challenges our assumptions about what novel-reading once did, and still does, to the individual reader, and provides new answers to the question of how novels influenced a culture's way of reading, responding, and feeling. |
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Strana 66
... least , is Dallas's surmise : the novel is the form of mass identity . In the final pages of The Gay Science he offers his theory of the novel as a new kind of aesthetic pleasure , one based on ' the withering of the individual as an ...
... least , is Dallas's surmise : the novel is the form of mass identity . In the final pages of The Gay Science he offers his theory of the novel as a new kind of aesthetic pleasure , one based on ' the withering of the individual as an ...
Strana 185
... least possible attention to itself as form , unless when that form is part of the writer's object , and when the simple thought is less important than the manner of presenting it.'36 Yet it is entirely possible for Lewes to phrase this ...
... least possible attention to itself as form , unless when that form is part of the writer's object , and when the simple thought is less important than the manner of presenting it.'36 Yet it is entirely possible for Lewes to phrase this ...
Strana 249
... least at this point in his career - could with justice be called the last Victorian novel theorist . In fact , the reading that Richards pursued in these years seems to have been far more rooted in Victorian physiology than any ...
... least at this point in his career - could with justice be called the last Victorian novel theorist . In fact , the reading that Richards pursued in these years seems to have been far more rooted in Victorian physiology than any ...
Obsah
List of Illustrations X | 1 |
Mass Reading and Physiological Novel Theory | 25 |
Thackeray and Attention | 73 |
Autorská práva | |
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The Physiology of the Novel:Reading, Neural Science, and the Form of ... Nicholas Dames Náhled není k dispozici. - 2007 |
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absorption acceleration aesthetic Alexander Bain Athenaeum attempt attention audience Bain become British called Cambridge century characters claim cognitive consciousness consumption contemporary cultural Dallas Daniel Deronda distraction duration E. S. Dallas effect Egoist Eliot elongated Emotions English Essays F. R. Leavis fact fiction formal fragmented G. H. Lewes genre George George Eliot George Gissing George Meredith Gissing Gissing's Grub Street Gwendolen Huey I. A. Richards Ibid James Javal kind Lewes's literary criticism literary form literary theory Literature London Lubbock melody mental Meredith mind narrated narrative Newcomes nineteenth-century notion novel-reading novelistic organic Oxford physiological novel theory Physiology of Reading plot practice prose Psychology R. H. Hutton rapid reader readerly reading physiology Reardon recent reverie Review Richards's sensation social speed speed-reading textual Thackeray Thackeray's theorists three-decker three-volume novel University Press Vanity Fair Victorian novel Victorian physiology Wagner Wagnerian words writing York