Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - Počet stran: 188 Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
Vyhledávání v knize
Výsledky 1-5 z 23
Strana 9
... Edward III and Henry V , " at the Northeast Modern Language Association Annual Convention , Boston , March 1973 ; " The Elizabethan Theater as Metaphor , " at the Shakespeare Association of America , Annual Meeting , Pasadena , March ...
... Edward III and Henry V , " at the Northeast Modern Language Association Annual Convention , Boston , March 1973 ; " The Elizabethan Theater as Metaphor , " at the Shakespeare Association of America , Annual Meeting , Pasadena , March ...
Strana 30
... Edward Alleyn , decided to retire from the stage after a perform- ance of the play during which a real devil had appeared among the counterfeit ones and threatened to fetch off his soul.24 Faustus's bar- gain with the devil was one that ...
... Edward Alleyn , decided to retire from the stage after a perform- ance of the play during which a real devil had appeared among the counterfeit ones and threatened to fetch off his soul.24 Faustus's bar- gain with the devil was one that ...
Strana 41
Omlouváme se, ale obsah této stránky je nepřístupný..
Omlouváme se, ale obsah této stránky je nepřístupný..
Strana 103
Omlouváme se, ale obsah této stránky je nepřístupný..
Omlouváme se, ale obsah této stránky je nepřístupný..
Strana 104
Omlouváme se, ale obsah této stránky je nepřístupný..
Omlouváme se, ale obsah této stránky je nepřístupný..
Obsah
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
Běžně se vyskytující výrazy a sousloví
action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York