Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - Počet stran: 188 Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
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Strana 9
... Elizabethan Theater as Metaphor , " at the Shakespeare Association of America , Annual Meeting , Pasadena , March 1974 ; " The Poetics of Theatrical Space , " Conference on Lan- guage and Style , at the City University of New York ...
... Elizabethan Theater as Metaphor , " at the Shakespeare Association of America , Annual Meeting , Pasadena , March 1974 ; " The Poetics of Theatrical Space , " Conference on Lan- guage and Style , at the City University of New York ...
Strana 12
... Elizabethan playhouse . A mimetic work's internal coherence as an artifact and its relation to the reality it " imitates " embody our problematic presence to our- selves and to others . Of the many modern approaches 1241 PLAYHOUSE AND ...
... Elizabethan playhouse . A mimetic work's internal coherence as an artifact and its relation to the reality it " imitates " embody our problematic presence to our- selves and to others . Of the many modern approaches 1241 PLAYHOUSE AND ...
Strana 14
... Elizabethan performance , especially as Shake- speare used it , was an intensely literary experience . Dramatic speech gained from writing a preternatural capacity to articulate thoughts and feelings ; Shakespearean techniques of scene ...
... Elizabethan performance , especially as Shake- speare used it , was an intensely literary experience . Dramatic speech gained from writing a preternatural capacity to articulate thoughts and feelings ; Shakespearean techniques of scene ...
Strana 18
... Elizabethan theaters , which was most clearly articulated in the large open - air playhouses , distinguishes and relates play and reality in ways that help to define dramatic structure . Play and reality are related at three different ...
... Elizabethan theaters , which was most clearly articulated in the large open - air playhouses , distinguishes and relates play and reality in ways that help to define dramatic structure . Play and reality are related at three different ...
Strana 19
... Elizabethan playhouse . My analysis will emphasize two basic spatial relationships established by playhouse architecture : the relation of the theatrical event as a whole to the world outside , and the relationship inside the playhouse ...
... Elizabethan playhouse . My analysis will emphasize two basic spatial relationships established by playhouse architecture : the relation of the theatrical event as a whole to the world outside , and the relationship inside the playhouse ...
Obsah
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
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action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York