Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - Počet stran: 188 Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
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Strana
... metaphor . Several plays - As You Like It , Henry V , and Macbeth - are considered at length as examples of progressively ( Continued on back flap ) Playhouse and Cosmos Shakespearean Theater as Metaphor Kent T. van Playhouse and Cosmos.
... metaphor . Several plays - As You Like It , Henry V , and Macbeth - are considered at length as examples of progressively ( Continued on back flap ) Playhouse and Cosmos Shakespearean Theater as Metaphor Kent T. van Playhouse and Cosmos.
Strana 9
... Henry V , " at the Northeast Modern Language Association Annual Convention , Boston , March 1973 ; " The Elizabethan Theater as Metaphor , " at the Shakespeare Association of America , Annual Meeting , Pasadena , March 1974 ; " The ...
... Henry V , " at the Northeast Modern Language Association Annual Convention , Boston , March 1973 ; " The Elizabethan Theater as Metaphor , " at the Shakespeare Association of America , Annual Meeting , Pasadena , March 1974 ; " The ...
Strana 16
... Henry V , and Macbeth will show in detail three different ways that Shakespeare places moments of metadramatic self - consciousness in a larger structure of mimetic reference . But the basic question of " real- ity " as the referent of ...
... Henry V , and Macbeth will show in detail three different ways that Shakespeare places moments of metadramatic self - consciousness in a larger structure of mimetic reference . But the basic question of " real- ity " as the referent of ...
Strana 19
... Henry V , and Macbeth . That these three plays represent the major Shakespearean genres has mostly negative value in preventing a theory of Shake- spearean theater from reducing itself to a theory of Shakespearean comedy , history , or ...
... Henry V , and Macbeth . That these three plays represent the major Shakespearean genres has mostly negative value in preventing a theory of Shake- spearean theater from reducing itself to a theory of Shakespearean comedy , history , or ...
Strana 20
... Henry V , and Macbeth could be read ( al- though they could not have been written ) without the preceding ac- count of the Elizabethan theater . But just as the reader benefits from seeing the plays performed or from reading them with ...
... Henry V , and Macbeth could be read ( al- though they could not have been written ) without the preceding ac- count of the Elizabethan theater . But just as the reader benefits from seeing the plays performed or from reading them with ...
Obsah
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
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action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York