Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - Počet stran: 188 Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
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Strana
... acting companies developing their own repertoire , the concept of the poet as a creator of imaginary worlds , and the ... actor and stage are metaphori- cally related to character and setting : characters play roles and the setting takes ...
... acting companies developing their own repertoire , the concept of the poet as a creator of imaginary worlds , and the ... actor and stage are metaphori- cally related to character and setting : characters play roles and the setting takes ...
Strana 11
... actor " long before she calls herself one ( III.iv.54 ) ; her verbal metaphor merely points to an analogy more concretely established in her disguise as Ganymede . In disguise , she becomes her own actor and dramatizes herself for ...
... actor " long before she calls herself one ( III.iv.54 ) ; her verbal metaphor merely points to an analogy more concretely established in her disguise as Ganymede . In disguise , she becomes her own actor and dramatizes herself for ...
Strana 14
... actors , Heminge and Condell ) praised his work as literature : " Read him , therefore ; and againe , and againe . " Reading Shakespeare is not only immensely satisfying in itself , but also illuminates aspects of the text that ought to ...
... actors , Heminge and Condell ) praised his work as literature : " Read him , therefore ; and againe , and againe . " Reading Shakespeare is not only immensely satisfying in itself , but also illuminates aspects of the text that ought to ...
Strana 15
... actors and audience , as well as to its ostensible subjects and themes , into aspects of its reflexive relation to itself . The metacritic typically emphasizes the moments of scepticism , iconoclasm , or misunder- standing in a play's ...
... actors and audience , as well as to its ostensible subjects and themes , into aspects of its reflexive relation to itself . The metacritic typically emphasizes the moments of scepticism , iconoclasm , or misunder- standing in a play's ...
Strana 17
... actor imitates human re- ality not because he mimics life directly but because his relation to his role resembles the internal relations that constitute human personal- ity in general ; as the actor is to his role , so the inner self is ...
... actor imitates human re- ality not because he mimics life directly but because his relation to his role resembles the internal relations that constitute human personal- ity in general ; as the actor is to his role , so the inner self is ...
Obsah
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
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action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York