Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - Počet stran: 188 Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
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Výsledky 1-5 z 71
Strana
... character and setting : characters play roles and the setting takes on the indeterminate and imagi- nary qualities of the stage . Within dra- matic fiction , the development of the ac- tion reflects the actual experience of the ...
... character and setting : characters play roles and the setting takes on the indeterminate and imagi- nary qualities of the stage . Within dra- matic fiction , the development of the ac- tion reflects the actual experience of the ...
Strana 11
... characters often become actors or spectators , staging plays within the play , so that relationships of life and ... character . Role- playing reveals in Rosalind a mixture of evasiveness and self - display , and in Orlando a mixture ...
... characters often become actors or spectators , staging plays within the play , so that relationships of life and ... character . Role- playing reveals in Rosalind a mixture of evasiveness and self - display , and in Orlando a mixture ...
Strana 12
... characters , how- ever illuminating such analogies may be . We must begin with at least a rudimentary theory of mimesis grounded in the actual conditions of representation in the Elizabethan playhouse . A mimetic work's internal ...
... characters , how- ever illuminating such analogies may be . We must begin with at least a rudimentary theory of mimesis grounded in the actual conditions of representation in the Elizabethan playhouse . A mimetic work's internal ...
Strana 13
... character . As Walter Ong puts it : " With writing , the earlier [ oral ] noetic state undergoes a kind of cleavage , separating the knower from the external universe and then from himself ... split- ting up the original unity of ...
... character . As Walter Ong puts it : " With writing , the earlier [ oral ] noetic state undergoes a kind of cleavage , separating the knower from the external universe and then from himself ... split- ting up the original unity of ...
Strana 15
... characters , to mount play within play within play in the desperate hope of finding it and leaves us and them with the sad knowledge that it remains unfound . " 13 This assumption is held by most critics who discuss the relationship of ...
... characters , to mount play within play within play in the desperate hope of finding it and leaves us and them with the sad knowledge that it remains unfound . " 13 This assumption is held by most critics who discuss the relationship of ...
Obsah
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
Běžně se vyskytující výrazy a sousloví
action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York