Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - Počet stran: 188 Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
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Strana
... define the relationship of the theatrical event as a whole to the world outside . Inside the theater , actor and stage ... defined by the playhouse . This pattern of withdrawal and return shapes both the definition of setting and the de ...
... define the relationship of the theatrical event as a whole to the world outside . Inside the theater , actor and stage ... defined by the playhouse . This pattern of withdrawal and return shapes both the definition of setting and the de ...
Strana 15
... defined the place of performance as a subjective world , corresponding to the Renaissance concept of the poem as a second nature created in the mind . This concept , superimposed on the traditional rhetorical understanding of poetry as ...
... defined the place of performance as a subjective world , corresponding to the Renaissance concept of the poem as a second nature created in the mind . This concept , superimposed on the traditional rhetorical understanding of poetry as ...
Strana 16
... defined by isolating it on the basis of its relationship to an a priori reality and culture ; to define play is at the same time and in the same movement to define reality and to define culture . . . . For — we need not insist on it ...
... defined by isolating it on the basis of its relationship to an a priori reality and culture ; to define play is at the same time and in the same movement to define reality and to define culture . . . . For — we need not insist on it ...
Strana 18
... define dramatic structure . Play and reality are related at three different levels : ( 1 ) the theatrical event as a whole is held apart from reality beyond the playhouse walls ; ( 2 ) within the playhouse , the immediate activity of ...
... define dramatic structure . Play and reality are related at three different levels : ( 1 ) the theatrical event as a whole is held apart from reality beyond the playhouse walls ; ( 2 ) within the playhouse , the immediate activity of ...
Strana 19
... defined in spatial terms by the architecture of the playhouse ; the third is established in the temporal dimension of dra- matic action through the pattern of withdrawal and return . These three levels , though distinct , are analogous ...
... defined in spatial terms by the architecture of the playhouse ; the third is established in the temporal dimension of dra- matic action through the pattern of withdrawal and return . These three levels , though distinct , are analogous ...
Obsah
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
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action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York