Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - Počet stran: 188 Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
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Strana 9
... drama over the past twenty years I am deeply grateful . I was fortunate to have the opportunity of presenting preliminary sketches of this book at the annual conventions of professional associ- ations and at the Folger Shakespeare ...
... drama over the past twenty years I am deeply grateful . I was fortunate to have the opportunity of presenting preliminary sketches of this book at the annual conventions of professional associ- ations and at the Folger Shakespeare ...
Strana 11
... drama of courtship . The game of love helps Rosalind and Orlando to recognize , play out , and overcome these obstacles to a relationship , so that for them , as for the spectators , theatrical artifice is a means to truth . This book ...
... drama of courtship . The game of love helps Rosalind and Orlando to recognize , play out , and overcome these obstacles to a relationship , so that for them , as for the spectators , theatrical artifice is a means to truth . This book ...
Strana 14
... drama , and the relation of this ambivalence to our own being as presence , are implicit in the topics and terminology of criticism . The capacity of a work to imitate nature , to disclose a reality beyond itself , to instruct , edify ...
... drama , and the relation of this ambivalence to our own being as presence , are implicit in the topics and terminology of criticism . The capacity of a work to imitate nature , to disclose a reality beyond itself , to instruct , edify ...
Strana 15
... drama . Metacriticism stands at the opposite extreme from theatrical criti- cism . Even when the metaplay is considered as a text for perform- ance , it is perceived as a closed system that converts its relations to actors and audience ...
... drama . Metacriticism stands at the opposite extreme from theatrical criti- cism . Even when the metaplay is considered as a text for perform- ance , it is perceived as a closed system that converts its relations to actors and audience ...
Strana 16
... drama , but one of its most characteristic achieve- ments . And this achievement metaphorically expresses the experi- ences and accomplishments of a play's main characters . The dialectical relationship of play and reality is ...
... drama , but one of its most characteristic achieve- ments . And this achievement metaphorically expresses the experi- ences and accomplishments of a play's main characters . The dialectical relationship of play and reality is ...
Obsah
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
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action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York