Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - Počet stran: 188 Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
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Strana
... experience of the spectators in withdrawing temporarily from ordinary life to enter the second world defined by the playhouse . This pattern of withdrawal and return shapes both the definition of setting and the de- velopment of ...
... experience of the spectators in withdrawing temporarily from ordinary life to enter the second world defined by the playhouse . This pattern of withdrawal and return shapes both the definition of setting and the de- velopment of ...
Strana 13
... experience , separating the individual from the community and forc- ing him to distinguish ( in himself and in others ) the inner self from the outward character . As Walter Ong puts it : " With writing , the earlier [ oral ] noetic ...
... experience , separating the individual from the community and forc- ing him to distinguish ( in himself and in others ) the inner self from the outward character . As Walter Ong puts it : " With writing , the earlier [ oral ] noetic ...
Strana 14
... experience is most vivid in the activity of speaking and listening . A literary work directly embodies the relation of speech to presence when it conveys and mediates its image of reality through fictive storytellers , dialogue , or ...
... experience is most vivid in the activity of speaking and listening . A literary work directly embodies the relation of speech to presence when it conveys and mediates its image of reality through fictive storytellers , dialogue , or ...
Strana 15
... experiences , a theater of the mind . One purpose of this book is to reaffirm , even within the context of " theatrical " criticism , the liter- ary nature and value of Shakespearean drama . Metacriticism stands at the opposite extreme ...
... experiences , a theater of the mind . One purpose of this book is to reaffirm , even within the context of " theatrical " criticism , the liter- ary nature and value of Shakespearean drama . Metacriticism stands at the opposite extreme ...
Strana 16
... experience as a whole . Jacques Ehrmann , in his critique of Huizinga , argues that " play cannot be defined by isolating it on the basis of its relationship to an a priori reality and culture ; to define play is at the same time and in ...
... experience as a whole . Jacques Ehrmann , in his critique of Huizinga , argues that " play cannot be defined by isolating it on the basis of its relationship to an a priori reality and culture ; to define play is at the same time and in ...
Obsah
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
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action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York