Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - Počet stran: 188 Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
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Výsledky 1-5 z 27
Strana 11
... functions as a metaphor of her response to love , disclosing in the outward form of theatrical counterfeiting the inner reality of her character . Role- playing reveals in Rosalind a mixture of evasiveness and self - display , and in ...
... functions as a metaphor of her response to love , disclosing in the outward form of theatrical counterfeiting the inner reality of her character . Role- playing reveals in Rosalind a mixture of evasiveness and self - display , and in ...
Strana 23
... functions . . . . Since all human thoughts must be worked out in the medium of perceptual space , architecture , wittingly or not , presents embodiments of thought when it invents and builds shapes . " The architecture of the playhouse ...
... functions . . . . Since all human thoughts must be worked out in the medium of perceptual space , architecture , wittingly or not , presents embodiments of thought when it invents and builds shapes . " The architecture of the playhouse ...
Strana 25
... functions , their relation to reality , explored . C. L. Barber has shown that Shake- speare's plays " provided a ' theater ' where the failures of ceremony could be looked at in a place apart and understood . . . . In making drama out ...
... functions , their relation to reality , explored . C. L. Barber has shown that Shake- speare's plays " provided a ' theater ' where the failures of ceremony could be looked at in a place apart and understood . . . . In making drama out ...
Strana 26
... function is rudimentary and evident in its form . It had to accommo- date only a single event , the performance , that involved all of its inhabitants at the same time , instead of the disparate , independent , and sometimes conflicting ...
... function is rudimentary and evident in its form . It had to accommo- date only a single event , the performance , that involved all of its inhabitants at the same time , instead of the disparate , independent , and sometimes conflicting ...
Strana 27
... function of the building than of its universal or archetypal quality as an interior . But buildings like churches , museums , or theaters are exceptions to this rule , because their particular functions conform more closely to the ...
... function of the building than of its universal or archetypal quality as an interior . But buildings like churches , museums , or theaters are exceptions to this rule , because their particular functions conform more closely to the ...
Obsah
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
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action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York