Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - Počet stran: 188 Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
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Strana 14
... imaginative experience of the reader is irrelevant and misleading . " However useful as a corrective , this posi- tion denies the most obvious and most important fact about Shake- speare : the unsurpassed literary excellence of his ...
... imaginative experience of the reader is irrelevant and misleading . " However useful as a corrective , this posi- tion denies the most obvious and most important fact about Shake- speare : the unsurpassed literary excellence of his ...
Strana 18
... imagination , and metamorphosis . The " real world " is the world of normal life outside the playhouse ; the image of life , ordinary or fantastic , that the play presents as real ; and the particular setting within the play that the ...
... imagination , and metamorphosis . The " real world " is the world of normal life outside the playhouse ; the image of life , ordinary or fantastic , that the play presents as real ; and the particular setting within the play that the ...
Strana 19
... imaginative autonomy of the theatrical event ; the second facilitates the metaphoric interplay between theatrical per- formance and the play's image of reality . These two spatial relation- ships juxtapose play and reality in tangible ...
... imaginative autonomy of the theatrical event ; the second facilitates the metaphoric interplay between theatrical per- formance and the play's image of reality . These two spatial relation- ships juxtapose play and reality in tangible ...
Strana 25
... imagination , games as expressive gestures . " Shakespearean drama translates " social into artistic form , " as Barber says , by revers- ing the original relation of part to whole : the play dramatizes social activities that contain ...
... imagination , games as expressive gestures . " Shakespearean drama translates " social into artistic form , " as Barber says , by revers- ing the original relation of part to whole : the play dramatizes social activities that contain ...
Strana 31
... imaginative inde- pendence . Sidney often refers to poems like the Iliad , Odyssey , or Aeneid not as texts that we read or hear , but as actions that we see performed in the theater of the mind . The poet's ideas of good and evil are ...
... imaginative inde- pendence . Sidney often refers to poems like the Iliad , Odyssey , or Aeneid not as texts that we read or hear , but as actions that we see performed in the theater of the mind . The poet's ideas of good and evil are ...
Obsah
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
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action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York