Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - Počet stran: 188 Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
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Strana 14
... modes of discourse in literature and drama , and the relation of this ambivalence to our own being as presence , are implicit in the topics and terminology of criticism . The capacity of a work to imitate nature , to disclose a reality ...
... modes of discourse in literature and drama , and the relation of this ambivalence to our own being as presence , are implicit in the topics and terminology of criticism . The capacity of a work to imitate nature , to disclose a reality ...
Strana 16
... mode of play will both reflect and influence a correlative concept of reality . The distinction between these terms and their relationship are not a given of Shakespearean drama , but one of its most characteristic achieve- ments . And ...
... mode of play will both reflect and influence a correlative concept of reality . The distinction between these terms and their relationship are not a given of Shakespearean drama , but one of its most characteristic achieve- ments . And ...
Strana 25
... modes of play in the largest sense of the term : ( 1 ) social events , like festivals , royal entries and progresses , tournaments , banquets , that are in some way " staged " or that include theatrical performance as one of their ...
... modes of play in the largest sense of the term : ( 1 ) social events , like festivals , royal entries and progresses , tournaments , banquets , that are in some way " staged " or that include theatrical performance as one of their ...
Strana 30
... modes of fiction , it is most often raised by , and discussed in terms of , dramatic fiction as presented in theaters , because theatri- cal performance is a physical displacement of reality by make - believe . It is relatively harmless ...
... modes of fiction , it is most often raised by , and discussed in terms of , dramatic fiction as presented in theaters , because theatri- cal performance is a physical displacement of reality by make - believe . It is relatively harmless ...
Strana 32
... mode of reference is also evident in the medieval concepts of poetry as a reflec- tion of reality , as the veil of truth , as ornament or rhetoric — concepts inherited and revised by Renaissance theorists . The Renaissance anal- ogy of ...
... mode of reference is also evident in the medieval concepts of poetry as a reflec- tion of reality , as the veil of truth , as ornament or rhetoric — concepts inherited and revised by Renaissance theorists . The Renaissance anal- ogy of ...
Obsah
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
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action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York