Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - Počet stran: 188 Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
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Strana
... offers a new interpretation of Shakespearean theater as metaphor by examining the social , in- tellectual , and architectural contexts in which Shakespeare's idea of the theater took shape . The emergence of self- supporting acting ...
... offers a new interpretation of Shakespearean theater as metaphor by examining the social , in- tellectual , and architectural contexts in which Shakespeare's idea of the theater took shape . The emergence of self- supporting acting ...
Strana 11
... offers a comprehensive and systematic description of Shakespearean theater as metaphor by examining the social , intellec- tual , and architectural contexts within which Shakespeare's idea of the theater took shape , and by ...
... offers a comprehensive and systematic description of Shakespearean theater as metaphor by examining the social , intellec- tual , and architectural contexts within which Shakespeare's idea of the theater took shape , and by ...
Strana 12
... offer an ideal model of our freedom to shape the inner world of our own being . In his Apologie for Poetrie , Philip Sidney pro- poses that God made man in " his own likenes " as a maker of worlds , and that man exhibits this likeness ...
... offer an ideal model of our freedom to shape the inner world of our own being . In his Apologie for Poetrie , Philip Sidney pro- poses that God made man in " his own likenes " as a maker of worlds , and that man exhibits this likeness ...
Strana 13
... offers a symbol and an effective instrument of order that allows creative responses to the social and psychological complex- ities caused by literacy . This spatial ordering — with the hierarchies , logics , and technologies that follow ...
... offers a symbol and an effective instrument of order that allows creative responses to the social and psychological complex- ities caused by literacy . This spatial ordering — with the hierarchies , logics , and technologies that follow ...
Strana 28
... offer a repertoire of regular performances , and thereby de- velop their art . While they often performed in the provinces , in Lon- don inns , at court , and elsewhere , the playhouse provided their chief source of income and the most ...
... offer a repertoire of regular performances , and thereby de- velop their art . While they often performed in the provinces , in Lon- don inns , at court , and elsewhere , the playhouse provided their chief source of income and the most ...
Obsah
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
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action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York