Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - Počet stran: 188 Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
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Strana
... pattern of withdrawal and return shapes both the definition of setting and the de- velopment of character and brings them together as related elements of a com- prehensive theatrical metaphor . Several plays - As You Like It , Henry V ...
... pattern of withdrawal and return shapes both the definition of setting and the de- velopment of character and brings them together as related elements of a com- prehensive theatrical metaphor . Several plays - As You Like It , Henry V ...
Strana 14
... patterns de- rived from oral communication . This is not to say that literature must presuppose the priority of speech to writing and commit itself to a " metaphysics of presence " ; it may instead suggest that our presence to the world ...
... patterns de- rived from oral communication . This is not to say that literature must presuppose the priority of speech to writing and commit itself to a " metaphysics of presence " ; it may instead suggest that our presence to the world ...
Strana 19
... pattern of with- drawal and return that structures the experience of both characters and spectators . Chapters 4 , 5 , and 6 examine in detail the different uses of this pattern as a metaphor in As You Like It , Henry V , and Macbeth ...
... pattern of with- drawal and return that structures the experience of both characters and spectators . Chapters 4 , 5 , and 6 examine in detail the different uses of this pattern as a metaphor in As You Like It , Henry V , and Macbeth ...
Strana 23
... pattern of withdrawal and return have their physical founda- tion in spatial relations defined by the playhouse . Rudolf Arnheim , in The Dynamics of Architectural Form , shows that " the design of a building is the spatial organization ...
... pattern of withdrawal and return have their physical founda- tion in spatial relations defined by the playhouse . Rudolf Arnheim , in The Dynamics of Architectural Form , shows that " the design of a building is the spatial organization ...
Strana 26
... pattern of with- drawal and restructuring within the field of symbolic action . Most interiors are surrounded by some sort of ... wall that defines their boundaries . . . . The insider is always more or less aware of what lies outside ...
... pattern of with- drawal and restructuring within the field of symbolic action . Most interiors are surrounded by some sort of ... wall that defines their boundaries . . . . The insider is always more or less aware of what lies outside ...
Obsah
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
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action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York