Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - Počet stran: 188 Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
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Výsledky 1-5 z 43
Strana 7
... Performance as Metaphor 9 11 23 45 3 Reality and Play in Dramatic Fiction 67 4 Theatrical Fiction and the Reality of Love in As You Like It 86 5 Heroism , History , and the Theater in Henry V 102 6 From Community to Society : Cultural ...
... Performance as Metaphor 9 11 23 45 3 Reality and Play in Dramatic Fiction 67 4 Theatrical Fiction and the Reality of Love in As You Like It 86 5 Heroism , History , and the Theater in Henry V 102 6 From Community to Society : Cultural ...
Strana 11
... as indications of his concept of drama and his world view , and as a means of influencing the audience's response ; ( 2 ) performance as an extended , nonverbal metaphor that concretely embodies the idea of life as theater 11 Introduction.
... as indications of his concept of drama and his world view , and as a means of influencing the audience's response ; ( 2 ) performance as an extended , nonverbal metaphor that concretely embodies the idea of life as theater 11 Introduction.
Strana 14
... performance , that they exist and can be properly apprehended only in the theater , and that the pri- vate ... performance . Elizabethan performance , especially as Shake- speare used it , was an intensely literary experience . Dramatic ...
... performance , that they exist and can be properly apprehended only in the theater , and that the pri- vate ... performance . Elizabethan performance , especially as Shake- speare used it , was an intensely literary experience . Dramatic ...
Strana 15
... performance as a subjective world , corresponding to the Renaissance concept of the poem as a second nature created in the mind . This concept , superimposed on the traditional rhetorical understanding of poetry as a kind of oratory ...
... performance as a subjective world , corresponding to the Renaissance concept of the poem as a second nature created in the mind . This concept , superimposed on the traditional rhetorical understanding of poetry as a kind of oratory ...
Strana 23
... performance as a metaphor , and even dramatic struc- ture as a pattern of withdrawal and return have their physical founda- tion in spatial relations defined by the playhouse . Rudolf Arnheim , in The Dynamics of Architectural Form ...
... performance as a metaphor , and even dramatic struc- ture as a pattern of withdrawal and return have their physical founda- tion in spatial relations defined by the playhouse . Rudolf Arnheim , in The Dynamics of Architectural Form ...
Obsah
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
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action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York