Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - Počet stran: 188 Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
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Strana
... play and reality inside the thea- ter and within dramatic fiction define the relationship of the theatrical event as a whole to the world outside . Inside the theater , actor and stage are metaphori- cally related to character and ...
... play and reality inside the thea- ter and within dramatic fiction define the relationship of the theatrical event as a whole to the world outside . Inside the theater , actor and stage are metaphori- cally related to character and ...
Strana 7
... Play : Playhouse as Emblem , Performance as Metaphor 9 11 23 45 3 Reality and Play in Dramatic Fiction 67 4 Theatrical Fiction and the Reality of Love in As You Like It 86 5 Heroism , History , and the Theater in Henry V 102 6 From ...
... Play : Playhouse as Emblem , Performance as Metaphor 9 11 23 45 3 Reality and Play in Dramatic Fiction 67 4 Theatrical Fiction and the Reality of Love in As You Like It 86 5 Heroism , History , and the Theater in Henry V 102 6 From ...
Strana 11
... play , so that relationships of life and theater are embedded in the dramatic action itself . In As You Like It , for example , Rosalind is " a busy actor " long before she calls herself one ( III.iv.54 ) ; her verbal metaphor merely ...
... play , so that relationships of life and theater are embedded in the dramatic action itself . In As You Like It , for example , Rosalind is " a busy actor " long before she calls herself one ( III.iv.54 ) ; her verbal metaphor merely ...
Strana 12
... play and reality that is objectified in different ways by dramatic structure ; ( 4 ) the metaphoric process as a model of the process of individuation by which the self is constituted in its relation to the world . The value of my ...
... play and reality that is objectified in different ways by dramatic structure ; ( 4 ) the metaphoric process as a model of the process of individuation by which the self is constituted in its relation to the world . The value of my ...
Strana 15
... play's action , as if to suggest that the play itself is meta- dramatic by default : it refers to itself because it cannot refer to anything else . Richard Fly , for example , proposes that Troilus and Cressida is " the work of a ...
... play's action , as if to suggest that the play itself is meta- dramatic by default : it refers to itself because it cannot refer to anything else . Richard Fly , for example , proposes that Troilus and Cressida is " the work of a ...
Obsah
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
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action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York