Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - Počet stran: 188 Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
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Strana 12
... sense ) as a process of representation , a dynamic interrelating of play and reality that is objectified in different ways by dramatic structure ; ( 4 ) the metaphoric process as a model of the process of individuation by which the self ...
... sense ) as a process of representation , a dynamic interrelating of play and reality that is objectified in different ways by dramatic structure ; ( 4 ) the metaphoric process as a model of the process of individuation by which the self ...
Strana 13
... sense alienating man from himself and his original lifeworld . " To put this in a more directly Hegelian way , through literacy we leave the path of mere natural unreflective being and sunder ourselves apart through the process of self ...
... sense alienating man from himself and his original lifeworld . " To put this in a more directly Hegelian way , through literacy we leave the path of mere natural unreflective being and sunder ourselves apart through the process of self ...
Strana 15
... sense of reality beyond self and theater . Shakespearean drama preserves the sense of presence by differentiating subjective and Introduction 15.
... sense of reality beyond self and theater . Shakespearean drama preserves the sense of presence by differentiating subjective and Introduction 15.
Strana 16
... sense of reality that emerges as a contrary of play . Tertullian , Prynne , and Rousseau condemn the " ontological subversiveness " of play and would abolish the theater in order to restore the unity of life . 19 As Ehrmann insists ...
... sense of reality that emerges as a contrary of play . Tertullian , Prynne , and Rousseau condemn the " ontological subversiveness " of play and would abolish the theater in order to restore the unity of life . 19 As Ehrmann insists ...
Strana 25
... sense of the term : ( 1 ) social events , like festivals , royal entries and progresses , tournaments , banquets , that are in some way " staged " or that include theatrical performance as one of their elements , and ( 2 ) the ...
... sense of the term : ( 1 ) social events , like festivals , royal entries and progresses , tournaments , banquets , that are in some way " staged " or that include theatrical performance as one of their elements , and ( 2 ) the ...
Obsah
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
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action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York