Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - Počet stran: 188 Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
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Strana
... setting : characters play roles and the setting takes on the indeterminate and imagi- nary qualities of the stage . Within dra- matic fiction , the development of the ac- tion reflects the actual experience of the spectators in ...
... setting : characters play roles and the setting takes on the indeterminate and imagi- nary qualities of the stage . Within dra- matic fiction , the development of the ac- tion reflects the actual experience of the spectators in ...
Strana 14
... - speare used it , was an intensely literary experience . Dramatic speech gained from writing a preternatural capacity to articulate thoughts and feelings ; Shakespearean techniques of scene setting and imperso- 14 PLAYHOUSE AND COSMOS.
... - speare used it , was an intensely literary experience . Dramatic speech gained from writing a preternatural capacity to articulate thoughts and feelings ; Shakespearean techniques of scene setting and imperso- 14 PLAYHOUSE AND COSMOS.
Strana 15
... setting and imperso- nation embodied dimensions of inwardness that distinguish the liter- ary from the oral frame of mind ; the playhouse itself defined the place of performance as a subjective world , corresponding to the Renaissance ...
... setting and imperso- nation embodied dimensions of inwardness that distinguish the liter- ary from the oral frame of mind ; the playhouse itself defined the place of performance as a subjective world , corresponding to the Renaissance ...
Strana 18
... setting within the play that the characters accept as real — Theseus ' Athens , Bolingbroke's court , the dukedom in Italy to which Prospero returns from the magic isle . A major objective of this book is to show how these different ...
... setting within the play that the characters accept as real — Theseus ' Athens , Bolingbroke's court , the dukedom in Italy to which Prospero returns from the magic isle . A major objective of this book is to show how these different ...
Strana 40
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Omlouváme se, ale obsah této stránky je nepřístupný..
Obsah
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
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action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York