Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - Počet stran: 188 Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
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Strana
... spectators in withdrawing temporarily from ordinary life to enter the second world defined by the playhouse . This pattern of withdrawal and return shapes both the definition of setting and the de- velopment of character and brings them ...
... spectators in withdrawing temporarily from ordinary life to enter the second world defined by the playhouse . This pattern of withdrawal and return shapes both the definition of setting and the de- velopment of character and brings them ...
Strana 11
... spectators , staging plays within the play , so that relationships of life and theater are embedded in the dramatic action itself . In As You Like It , for example , Rosalind is " a busy actor " long before she calls herself one ( III ...
... spectators , staging plays within the play , so that relationships of life and theater are embedded in the dramatic action itself . In As You Like It , for example , Rosalind is " a busy actor " long before she calls herself one ( III ...
Strana 18
... reality beyond the playhouse walls ; ( 2 ) within the playhouse , the immediate activity of playing and pretending shared by actors and spectators is metaphorically related to the play's image of life 18 PLAYHOUSE AND COSMOS.
... reality beyond the playhouse walls ; ( 2 ) within the playhouse , the immediate activity of playing and pretending shared by actors and spectators is metaphorically related to the play's image of life 18 PLAYHOUSE AND COSMOS.
Strana 19
... spectators ' journey to the playhouse . The " green world " of the forest provides a stage on which Rosalind disguises herself and becomes her own actor . The characters ' return from the forest to the normal world is only anticipated ...
... spectators ' journey to the playhouse . The " green world " of the forest provides a stage on which Rosalind disguises herself and becomes her own actor . The characters ' return from the forest to the normal world is only anticipated ...
Strana 20
... spectators , to with- draw from ordinary life and transform both self and world from within ; and the capacity , embodied in the mimetic power of perform- ance , to return from the inner world to the outer and either reconcile their ...
... spectators , to with- draw from ordinary life and transform both self and world from within ; and the capacity , embodied in the mimetic power of perform- ance , to return from the inner world to the outer and either reconcile their ...
Obsah
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
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action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York