Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - Počet stran: 188 Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
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Strana 12
... structure ; ( 4 ) the metaphoric process as a model of the process of individuation by which the self is constituted in its relation to the world . The value of my theory resides in its relation to the last and most general of these ...
... structure ; ( 4 ) the metaphoric process as a model of the process of individuation by which the self is constituted in its relation to the world . The value of my theory resides in its relation to the last and most general of these ...
Strana 16
... structure of mimetic reference . But the basic question of " real- ity " as the referent of " play " must be dealt with here . The distinction between play and reality seems , at first , self - evident . Johan Huizinga states flatly ...
... structure of mimetic reference . But the basic question of " real- ity " as the referent of " play " must be dealt with here . The distinction between play and reality seems , at first , self - evident . Johan Huizinga states flatly ...
Strana 18
... structure . The principle of replication complicates the nature and the analysis of mimesis by multiplying the referents of " play " and " reality . " The " play world " in Shakespearean drama is the fictive world of the play as a whole ...
... structure . The principle of replication complicates the nature and the analysis of mimesis by multiplying the referents of " play " and " reality . " The " play world " in Shakespearean drama is the fictive world of the play as a whole ...
Strana 19
... structures the experience of both characters and spectators . Chapters 4 , 5 , and 6 examine in detail the different uses of this pattern as a metaphor in As You Like It , Henry V , and Macbeth . That these three plays represent the ...
... structures the experience of both characters and spectators . Chapters 4 , 5 , and 6 examine in detail the different uses of this pattern as a metaphor in As You Like It , Henry V , and Macbeth . That these three plays represent the ...
Strana 23
... structures , joined together for commercial , not aesthetic reasons . Nor does my proposal rest on elaborate conjec- tures about upper and inner stages , discovery spaces , lofts , and traps . We know very little about the stage ...
... structures , joined together for commercial , not aesthetic reasons . Nor does my proposal rest on elaborate conjec- tures about upper and inner stages , discovery spaces , lofts , and traps . We know very little about the stage ...
Obsah
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
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action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York