Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - Počet stran: 188 Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
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Strana
... theatrical fiction enough substance and indepen- dence so that reality could be compared to it : " All the world's a stage , / And all the men and women merely players . " In Playhouse and Cosmos analysis centers on the ways in which ...
... theatrical fiction enough substance and indepen- dence so that reality could be compared to it : " All the world's a stage , / And all the men and women merely players . " In Playhouse and Cosmos analysis centers on the ways in which ...
Strana 7
... Theatrical Space 2 Reality in Play : Playhouse as Emblem , Performance as Metaphor 9 11 23 45 3 Reality and Play in Dramatic Fiction 67 4 Theatrical Fiction and the Reality of Love in As You Like It 86 5 Heroism , History , and the ...
... Theatrical Space 2 Reality in Play : Playhouse as Emblem , Performance as Metaphor 9 11 23 45 3 Reality and Play in Dramatic Fiction 67 4 Theatrical Fiction and the Reality of Love in As You Like It 86 5 Heroism , History , and the ...
Strana 9
... Theatrical Space , " Conference on Lan- guage and Style , at the City University of New York Graduate Center , New York , April 1977 ; " Playhouse and Cosmos , " at The Folger Shakespeare Library , Washington , D.C. , August 1977 ...
... Theatrical Space , " Conference on Lan- guage and Style , at the City University of New York Graduate Center , New York , April 1977 ; " Playhouse and Cosmos , " at The Folger Shakespeare Library , Washington , D.C. , August 1977 ...
Strana 11
... theatrical artifice , it also functions as a metaphor of her response to love , disclosing in the outward form of theatrical counterfeiting the inner reality of her character . Role- playing reveals in Rosalind a mixture of evasiveness ...
... theatrical artifice , it also functions as a metaphor of her response to love , disclosing in the outward form of theatrical counterfeiting the inner reality of her character . Role- playing reveals in Rosalind a mixture of evasiveness ...
Strana 14
... theatrical " criticism , which treats plays as performances , and " meta- dramatic " criticism , which treats them as reflexive examinations of their own nature as dramatic art . At its polemical extreme , theatrical criticism holds ...
... theatrical " criticism , which treats plays as performances , and " meta- dramatic " criticism , which treats them as reflexive examinations of their own nature as dramatic art . At its polemical extreme , theatrical criticism holds ...
Obsah
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
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action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York