Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - Počet stran: 188 Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
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Strana 10
... thoughts when they were obscure . She made me believe ( when no one else could ) that this project was worth completing , and that I could do it . The book is somewhat less wooden for her efforts — and for her sake . Seattle June 11 ...
... thoughts when they were obscure . She made me believe ( when no one else could ) that this project was worth completing , and that I could do it . The book is somewhat less wooden for her efforts — and for her sake . Seattle June 11 ...
Strana 13
... thought , manipula- tion , and control ; literacy inspires the knowledge that is power . Wal- ter Ong proposes that printing , by fixing the spontaneous temporal flow of oral discourse into regularized , consistent , and reproducible ...
... thought , manipula- tion , and control ; literacy inspires the knowledge that is power . Wal- ter Ong proposes that printing , by fixing the spontaneous temporal flow of oral discourse into regularized , consistent , and reproducible ...
Strana 14
... speare used it , was an intensely literary experience . Dramatic speech gained from writing a preternatural capacity to articulate thoughts and feelings ; Shakespearean techniques of scene setting and imperso- 14 PLAYHOUSE AND COSMOS.
... speare used it , was an intensely literary experience . Dramatic speech gained from writing a preternatural capacity to articulate thoughts and feelings ; Shakespearean techniques of scene setting and imperso- 14 PLAYHOUSE AND COSMOS.
Strana 16
... in order to restore the unity of life . 19 As Ehrmann insists , " the status of ' ordinary life , ' of ' reality , ' is ... thrown in question in the very movement of thought given over to flay . " 20 It is no 16 PLAYHOUSE AND COSMOS.
... in order to restore the unity of life . 19 As Ehrmann insists , " the status of ' ordinary life , ' of ' reality , ' is ... thrown in question in the very movement of thought given over to flay . " 20 It is no 16 PLAYHOUSE AND COSMOS.
Strana 17
... thought , concern , and representation . Through replication , representation ceases to be a one - to - one cor- respondence of image and reality and becomes a complex analogy of relationships — an extended metaphor . The actor imitates ...
... thought , concern , and representation . Through replication , representation ceases to be a one - to - one cor- respondence of image and reality and becomes a complex analogy of relationships — an extended metaphor . The actor imitates ...
Obsah
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
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action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York