Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - Počet stran: 188 Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
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Strana
... tion reflects the actual experience of the spectators in withdrawing temporarily from ordinary life to enter the second world defined by the playhouse . This pattern of withdrawal and return shapes both the definition of setting and the ...
... tion reflects the actual experience of the spectators in withdrawing temporarily from ordinary life to enter the second world defined by the playhouse . This pattern of withdrawal and return shapes both the definition of setting and the ...
Strana 13
... tion , and control ; literacy inspires the knowledge that is power . Wal- ter Ong proposes that printing , by fixing the spontaneous temporal flow of oral discourse into regularized , consistent , and reproducible spatial forms , offers ...
... tion , and control ; literacy inspires the knowledge that is power . Wal- ter Ong proposes that printing , by fixing the spontaneous temporal flow of oral discourse into regularized , consistent , and reproducible spatial forms , offers ...
Strana 14
... tion denies the most obvious and most important fact about Shake- speare : the unsurpassed literary excellence of his " scripts . " While Shakespeare never prepared any of his dramatic texts for readers , his earliest critics ...
... tion denies the most obvious and most important fact about Shake- speare : the unsurpassed literary excellence of his " scripts . " While Shakespeare never prepared any of his dramatic texts for readers , his earliest critics ...
Strana 15
... tion underlying this and most other metacritical efforts is stated by Howard Felperin when he calls for " a philosophical study of Renais- sance drama " based on " the knowledge that ' reality ' by the semiotic nature of language , the ...
... tion underlying this and most other metacritical efforts is stated by Howard Felperin when he calls for " a philosophical study of Renais- sance drama " based on " the knowledge that ' reality ' by the semiotic nature of language , the ...
Strana 23
... tion in spatial relations defined by the playhouse . Rudolf Arnheim , in The Dynamics of Architectural Form , shows that " the design of a building is the spatial organization of thoughts about its functions . . . . Since all human ...
... tion in spatial relations defined by the playhouse . Rudolf Arnheim , in The Dynamics of Architectural Form , shows that " the design of a building is the spatial organization of thoughts about its functions . . . . Since all human ...
Obsah
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
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action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York