Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - Počet stran: 188 Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
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Výsledky 1-5 z 13
Strana 11
... traditional topos , as indications of his concept of drama and his world view , and as a means of influencing the audience's response ; ( 2 ) performance as an extended , nonverbal metaphor that concretely embodies the idea of life as ...
... traditional topos , as indications of his concept of drama and his world view , and as a means of influencing the audience's response ; ( 2 ) performance as an extended , nonverbal metaphor that concretely embodies the idea of life as ...
Strana 14
... traditional mimetic and rhetorical criticism , and they reflect a tacit understanding of literature as speech . The autonomy of a work , its internal coherence , its power to reconcile divergent themes and elements in the discordia ...
... traditional mimetic and rhetorical criticism , and they reflect a tacit understanding of literature as speech . The autonomy of a work , its internal coherence , its power to reconcile divergent themes and elements in the discordia ...
Strana 15
... traditional rhetorical understanding of poetry as a kind of oratory ( " a speaking picture " ) , reflects a new view of poetry derived from reading and writing : a view of the poem as a thing or place , an enclosure or interior ...
... traditional rhetorical understanding of poetry as a kind of oratory ( " a speaking picture " ) , reflects a new view of poetry derived from reading and writing : a view of the poem as a thing or place , an enclosure or interior ...
Strana 32
... traditional metaphors that describe the world , or God , in terms of more familiar human attributes , and requires as well a new way of establishing metaphoric reference . In medieval the- ology , God is compared to a poet and the world ...
... traditional metaphors that describe the world , or God , in terms of more familiar human attributes , and requires as well a new way of establishing metaphoric reference . In medieval the- ology , God is compared to a poet and the world ...
Strana 49
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Obsah
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
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action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York