Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - Počet stran: 188 Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
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Strana 13
... turn to be suppressed " ; moreover , " the hand that inflicts the wound . . . [ must ] heal it . " The cleavage of naive experience by writing and especially by print engenders the impulse to master and possess the world as the object ...
... turn to be suppressed " ; moreover , " the hand that inflicts the wound . . . [ must ] heal it . " The cleavage of naive experience by writing and especially by print engenders the impulse to master and possess the world as the object ...
Strana 17
... turn , by its very auton- omy , encourages mimesis because it provides a viewpoint that is ( or presumes to be ) outside the real . From such a viewpoint , reality can be treated as an object of thought , concern , and representation ...
... turn , by its very auton- omy , encourages mimesis because it provides a viewpoint that is ( or presumes to be ) outside the real . From such a viewpoint , reality can be treated as an object of thought , concern , and representation ...
Strana 23
... turns away from the experiential world , re- creates its image in the mind , and projects possible ( or impossible ) outcomes for human existence . In proposing that the playhouse is an embodiment of thought , I do not assume that its ...
... turns away from the experiential world , re- creates its image in the mind , and projects possible ( or impossible ) outcomes for human existence . In proposing that the playhouse is an embodiment of thought , I do not assume that its ...
Strana 28
... turn substantiated by , more familiar findings of theatrical , intellectual , and literary history . A brief look at this material will further clarify the nature of the playhouse as an autonomous world and as an architectural model of ...
... turn substantiated by , more familiar findings of theatrical , intellectual , and literary history . A brief look at this material will further clarify the nature of the playhouse as an autonomous world and as an architectural model of ...
Strana 47
Omlouváme se, ale obsah této stránky je nepřístupný..
Omlouváme se, ale obsah této stránky je nepřístupný..
Obsah
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
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action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York