English Tragedy Before Shakespeare1967 |
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Strana 29
... English tragedy does violent and passionate utterance make its appearance until rather later in the century . A further characteristic shared by the English and the Italian dramatists is the markedly moral and didactic undertone in the ...
... English tragedy does violent and passionate utterance make its appearance until rather later in the century . A further characteristic shared by the English and the Italian dramatists is the markedly moral and didactic undertone in the ...
Strana 76
... English drama as a whole , was slight and indirect ; 2 in contrast to what happened in France and Italy , it never got a proper foothold in England ... English Euripidean work , whose place of origin , 76 ENGLISH TRAGEDY BEFORE SHAKESPEARE.
... English drama as a whole , was slight and indirect ; 2 in contrast to what happened in France and Italy , it never got a proper foothold in England ... English Euripidean work , whose place of origin , 76 ENGLISH TRAGEDY BEFORE SHAKESPEARE.
Strana 224
... English tragedy learned to appreciate and to adapt to its own ends this balance of psychological tensions , and with it the variety of approach in Seneca's contemplation of what goes on in the minds of his characters . In the earliest ...
... English tragedy learned to appreciate and to adapt to its own ends this balance of psychological tensions , and with it the variety of approach in Seneca's contemplation of what goes on in the minds of his characters . In the earliest ...
Obsah
PART ONE I Introduction page | 11 |
The Set Speech in Renaissance Drama and Con temporary Theory | 21 |
The Basic Types of Dramatic Set Speech | 44 |
Autorská práva | |
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action apostrophe appear beginning characters chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech earlier earth Edward effect Elizabethan drama Elizabethan Tragedy emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling Ferrex formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Schücking Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate