English Tragedy Before Shakespeare1967 |
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Strana 28
... actually per- formed . But the set - speech technique is little affected by this innovation . Dramatic incidents are not yet at this stage conceived of as an amalgam of speech and action ; it is something indeed that they should actually ...
... actually per- formed . But the set - speech technique is little affected by this innovation . Dramatic incidents are not yet at this stage conceived of as an amalgam of speech and action ; it is something indeed that they should actually ...
Strana 237
form of rhetorical colouring , and thus actually leads away from the genuine expression of grief . 6 Thus in Seneca we find apostrophes addressed to dolor , furor and ira , 1 the apostrophe that the speaker addresses to his own self ...
form of rhetorical colouring , and thus actually leads away from the genuine expression of grief . 6 Thus in Seneca we find apostrophes addressed to dolor , furor and ira , 1 the apostrophe that the speaker addresses to his own self ...
Strana 269
... actually ' falles to the ground ' . Thus the words spoken and the visible stage - business are closely bound up with one another , even if it is done here in an obvious and un- developed fashion and with the sole intention of making the ...
... actually ' falles to the ground ' . Thus the words spoken and the visible stage - business are closely bound up with one another , even if it is done here in an obvious and un- developed fashion and with the sole intention of making the ...
Obsah
PART ONE I Introduction page | 11 |
The Set Speech in Renaissance Drama and Con temporary Theory | 21 |
The Basic Types of Dramatic Set Speech | 44 |
Autorská práva | |
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action apostrophe appear beginning characters chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech earlier earth Edward effect Elizabethan drama Elizabethan Tragedy emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling Ferrex formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Schücking Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate