English Tragedy Before Shakespeare1967 |
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Strana 59
... beginning . Speech is the dramatic instrument by means of which Seneca brings this change about and communicates it to the reader . Of disclosures and developments of this kind within the limits of a single scene there is hardly a sign ...
... beginning . Speech is the dramatic instrument by means of which Seneca brings this change about and communicates it to the reader . Of disclosures and developments of this kind within the limits of a single scene there is hardly a sign ...
Strana 67
... beginning . And once it has been stated , their moral is constantly recapitulated . It is repeated by the Chorus , by the dumb show , by the various characters , and , moreover , both at the beginning and at the end of scenes . A prose ...
... beginning . And once it has been stated , their moral is constantly recapitulated . It is repeated by the Chorus , by the dumb show , by the various characters , and , moreover , both at the beginning and at the end of scenes . A prose ...
Strana 111
... beginning of Act III , Scene vii , can it be said that the conventional form of the rhetorical lament has been preserved in its entirety . On all other occasions the action of the play is advanced in one way or another in the course of ...
... beginning of Act III , Scene vii , can it be said that the conventional form of the rhetorical lament has been preserved in its entirety . On all other occasions the action of the play is advanced in one way or another in the course of ...
Obsah
PART ONE I Introduction page | 11 |
The Set Speech in Renaissance Drama and Con temporary Theory | 21 |
The Basic Types of Dramatic Set Speech | 44 |
Autorská práva | |
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action apostrophe appear beginning characters chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech earlier earth Edward effect Elizabethan drama Elizabethan Tragedy emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling Ferrex formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Schücking Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate