English Tragedy Before Shakespeare1967 |
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Strana 75
... the chief model ; it is clear from these plays too that , in the over - emphasis that they laid on the role of the set speech , individual playwrights continued to imitate the Senecan technique for some 75 English Classical Plays.
... the chief model ; it is clear from these plays too that , in the over - emphasis that they laid on the role of the set speech , individual playwrights continued to imitate the Senecan technique for some 75 English Classical Plays.
Strana 76
... classical plays on the popular stage , and for that matter on the later development of English drama as a whole , was slight and indirect ; 2 in contrast to what happened in France and Italy , it never got a proper foothold in England ...
... classical plays on the popular stage , and for that matter on the later development of English drama as a whole , was slight and indirect ; 2 in contrast to what happened in France and Italy , it never got a proper foothold in England ...
Strana 175
... classical drama . Thus Absalon appears before David to acquaint him with Ammon's transgression , and David's answer runs as follows : Hath Ammon brought this evil on my house And suffered sin to smite his father's bones ? Smite , David ...
... classical drama . Thus Absalon appears before David to acquaint him with Ammon's transgression , and David's answer runs as follows : Hath Ammon brought this evil on my house And suffered sin to smite his father's bones ? Smite , David ...
Obsah
PART ONE I Introduction page | 11 |
The Set Speech in Renaissance Drama and Con temporary Theory | 21 |
The Basic Types of Dramatic Set Speech | 44 |
Autorská práva | |
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action apostrophe appear beginning characters chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech earlier earth Edward effect Elizabethan drama Elizabethan Tragedy emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling Ferrex formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Schücking Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate