English Tragedy Before Shakespeare1967 |
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Strana 14
... disconnected dialogue between speakers who stand side by side and address one another without any real inner contact is replaced by a direct and closely interwoven means of communi- 14 ENGLISH TRAGEDY BEFORE SHAKESPEARE.
... disconnected dialogue between speakers who stand side by side and address one another without any real inner contact is replaced by a direct and closely interwoven means of communi- 14 ENGLISH TRAGEDY BEFORE SHAKESPEARE.
Strana 97
... closely with the drama- tic movement . Some balance between the two , one would think , must necessarily be established . But this is not the case . In plan and execution the set speeches continue to display the rigid disposition and ...
... closely with the drama- tic movement . Some balance between the two , one would think , must necessarily be established . But this is not the case . In plan and execution the set speeches continue to display the rigid disposition and ...
Strana 223
... closely allied to suffering and tears , although a few dramatists were especially strongly impressed by Seneca's vehemence and frenzy , and did their best to emulate these qualities . With Seneca we can only think in terms of passionate ...
... closely allied to suffering and tears , although a few dramatists were especially strongly impressed by Seneca's vehemence and frenzy , and did their best to emulate these qualities . With Seneca we can only think in terms of passionate ...
Obsah
PART ONE I Introduction page | 11 |
The Set Speech in Renaissance Drama and Con temporary Theory | 21 |
The Basic Types of Dramatic Set Speech | 44 |
Autorská práva | |
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action apostrophe appear beginning characters chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech earlier earth Edward effect Elizabethan drama Elizabethan Tragedy emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling Ferrex formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Schücking Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate