English Tragedy Before Shakespeare1967 |
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Strana 85
... concerned . For we now have much more dialogue to counteract the effect of the long set speeches , more movement within the scenes , and fuller stage - directions at the beginning of the scenes . Situations which in the earlier version ...
... concerned . For we now have much more dialogue to counteract the effect of the long set speeches , more movement within the scenes , and fuller stage - directions at the beginning of the scenes . Situations which in the earlier version ...
Strana 114
... concerned there is a very much closer relationship between the speaker and his speeches , and that they are very much more characteristic of him personally than had been the case with any previous figure in English drama . However ...
... concerned there is a very much closer relationship between the speaker and his speeches , and that they are very much more characteristic of him personally than had been the case with any previous figure in English drama . However ...
Strana 199
... concerned , this means that the expression of feelings , the reflection of passions , and intro- spection give way to matter of a more factual and practical nature ; the report - speech comes much more to the fore , and much more space ...
... concerned , this means that the expression of feelings , the reflection of passions , and intro- spection give way to matter of a more factual and practical nature ; the report - speech comes much more to the fore , and much more space ...
Obsah
PART ONE I Introduction page | 11 |
The Set Speech in Renaissance Drama and Con temporary Theory | 21 |
The Basic Types of Dramatic Set Speech | 44 |
Autorská práva | |
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action apostrophe appear beginning characters chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech earlier earth Edward effect Elizabethan drama Elizabethan Tragedy emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling Ferrex formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Schücking Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate