English Tragedy Before Shakespeare1967 |
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Strana 14
... expression , and for the decay of the art that had allowed , and indeed demanded , the complete expression of thought and emotion . If then the set speech is of such central importance as an instru- ment of dramatic expression , it must ...
... expression , and for the decay of the art that had allowed , and indeed demanded , the complete expression of thought and emotion . If then the set speech is of such central importance as an instru- ment of dramatic expression , it must ...
Strana 115
... expression and of char- acter - portrayal . For this is the really novel function assumed by Tamburlaine's speeches , that they are self - expression and self- portrayal of an exceptional and dynamic type ; and it is this that marks the ...
... expression and of char- acter - portrayal . For this is the really novel function assumed by Tamburlaine's speeches , that they are self - expression and self- portrayal of an exceptional and dynamic type ; and it is this that marks the ...
Strana 215
... expression that made of it a valid and moving means of self- expression . Seneca and the Greek Tragedians Seneca's ways of representing grief are different from those of Sophocles and Euripides , and they foreshadow the developments ...
... expression that made of it a valid and moving means of self- expression . Seneca and the Greek Tragedians Seneca's ways of representing grief are different from those of Sophocles and Euripides , and they foreshadow the developments ...
Obsah
PART ONE I Introduction page | 11 |
The Set Speech in Renaissance Drama and Con temporary Theory | 21 |
The Basic Types of Dramatic Set Speech | 44 |
Autorská práva | |
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action apostrophe appear beginning characters chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech earlier earth Edward effect Elizabethan drama Elizabethan Tragedy emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling Ferrex formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Schücking Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate