English Tragedy Before Shakespeare1967 |
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Strana 58
... feeling that the ' real play ' is being performed elsewhere , on another stage , and that the speakers are gazing ... feelings . The plays of Seneca were very probably designed for read- ing aloud , 1 and it was only under a ...
... feeling that the ' real play ' is being performed elsewhere , on another stage , and that the speakers are gazing ... feelings . The plays of Seneca were very probably designed for read- ing aloud , 1 and it was only under a ...
Strana 200
... feelings and spiritual turmoil . However , these things are no longer presented , as in the early tragedies , by ... feeling and of purely factual communication . For 1 Here the Bastard's inward promptings are explained in the short ...
... feelings and spiritual turmoil . However , these things are no longer presented , as in the early tragedies , by ... feeling and of purely factual communication . For 1 Here the Bastard's inward promptings are explained in the short ...
Strana 266
... feeling in this choric lament there resides a quality which was to show itself peculiarly susceptible of development , and was to enrich in special ways the multiple orchestration of Elizabethan drama . Peele's handling of his effects ...
... feeling in this choric lament there resides a quality which was to show itself peculiarly susceptible of development , and was to enrich in special ways the multiple orchestration of Elizabethan drama . Peele's handling of his effects ...
Obsah
PART ONE I Introduction page | 11 |
The Set Speech in Renaissance Drama and Con temporary Theory | 21 |
The Basic Types of Dramatic Set Speech | 44 |
Autorská práva | |
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action apostrophe appear beginning characters chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech earlier earth Edward effect Elizabethan drama Elizabethan Tragedy emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling Ferrex formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Schücking Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate