English Tragedy Before Shakespeare1967 |
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Strana 29
... further characteristic shared by the English and the Italian dramatists is the markedly moral and didactic undertone in the set speeches , their tendency to think of the play as a vehicle for instruction , as if indeed it was a morality ...
... further characteristic shared by the English and the Italian dramatists is the markedly moral and didactic undertone in the set speeches , their tendency to think of the play as a vehicle for instruction , as if indeed it was a morality ...
Strana 34
... further requirement that the style of tragedy should be grave and majestic . ' An ideal conception was formed of gravità , maestà , and dignità ( Castelvetro ) ; these qualities were to prevail through every part of the tragedy , and by ...
... further requirement that the style of tragedy should be grave and majestic . ' An ideal conception was formed of gravità , maestà , and dignità ( Castelvetro ) ; these qualities were to prevail through every part of the tragedy , and by ...
Strana 223
... further illustrate this fact . In English tragedy , as also in French and Italian , the dramatic lament has a much wider range than in Seneca . It is also more in- tense ; indeed it is lament in the true sense of the word . In Seneca ...
... further illustrate this fact . In English tragedy , as also in French and Italian , the dramatic lament has a much wider range than in Seneca . It is also more in- tense ; indeed it is lament in the true sense of the word . In Seneca ...
Obsah
PART ONE I Introduction page | 11 |
The Set Speech in Renaissance Drama and Con temporary Theory | 21 |
The Basic Types of Dramatic Set Speech | 44 |
Autorská práva | |
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action apostrophe appear beginning characters chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech earlier earth Edward effect Elizabethan drama Elizabethan Tragedy emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling Ferrex formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Schücking Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate