English Tragedy Before Shakespeare1967 |
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Strana 24
... mind several prescribed patterns which he could follow . However , as will be shown by illustration and analysis in later chapters , the dominating role of the set speech and counter - speech in the early days of English tragedy is only ...
... mind several prescribed patterns which he could follow . However , as will be shown by illustration and analysis in later chapters , the dominating role of the set speech and counter - speech in the early days of English tragedy is only ...
Strana 151
... mind in those moments when he is alone : Now , Faustus , must Thou needs be damn'd , and canst thou not be sav'd . What boots it , then , to think on God or heaven ? Away with such vain fancies , and despair ; Despair in God , and trust ...
... mind in those moments when he is alone : Now , Faustus , must Thou needs be damn'd , and canst thou not be sav'd . What boots it , then , to think on God or heaven ? Away with such vain fancies , and despair ; Despair in God , and trust ...
Strana 213
... mind of man is able to conceive on the subject of grief and consolation for grief , so that even within the limited field of the Complaint we are given the picture of a long - standing continuity of the kind that Curtius in his ...
... mind of man is able to conceive on the subject of grief and consolation for grief , so that even within the limited field of the Complaint we are given the picture of a long - standing continuity of the kind that Curtius in his ...
Obsah
PART ONE I Introduction page | 11 |
The Set Speech in Renaissance Drama and Con temporary Theory | 21 |
The Basic Types of Dramatic Set Speech | 44 |
Autorská práva | |
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action apostrophe appear beginning characters chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech earlier earth Edward effect Elizabethan drama Elizabethan Tragedy emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling Ferrex formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Schücking Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate