English Tragedy Before Shakespeare1967 |
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Strana 37
... person actually concerned was left in the back- ground , for it was merely the type of the emotion that had to be expressed ; interest was centred on the general , not the individual . The particular character and the specific ...
... person actually concerned was left in the back- ground , for it was merely the type of the emotion that had to be expressed ; interest was centred on the general , not the individual . The particular character and the specific ...
Strana 124
... person whom it would be possible to imagine , but a dynamic impression which is intended to reflect and enhance the splendour and might of the person described . It was in the nature of Marlowe that he should thus by - pass con ...
... person whom it would be possible to imagine , but a dynamic impression which is intended to reflect and enhance the splendour and might of the person described . It was in the nature of Marlowe that he should thus by - pass con ...
Strana 144
... person from what he appears to be , and that , with a view to securing his rights or encompassing vengeance or gaining his nefarious ends , he devises dark intrigues , sets unsuspecting persons at one another's throats , and , calling ...
... person from what he appears to be , and that , with a view to securing his rights or encompassing vengeance or gaining his nefarious ends , he devises dark intrigues , sets unsuspecting persons at one another's throats , and , calling ...
Obsah
PART ONE I Introduction page | 11 |
The Set Speech in Renaissance Drama and Con temporary Theory | 21 |
The Basic Types of Dramatic Set Speech | 44 |
Autorská práva | |
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action apostrophe appear beginning characters chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech earlier earth Edward effect Elizabethan drama Elizabethan Tragedy emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling Ferrex formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Schücking Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate