English Tragedy Before Shakespeare1967 |
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Výsledky 1-3 z 48
Strana 30
... speaker that is at the heart of the speech . But if it is love or despair , hatred or revenge , affliction or sorrow that is to be presented , we can be pretty sure of a set speech of the appropriate kind the emotional content of which ...
... speaker that is at the heart of the speech . But if it is love or despair , hatred or revenge , affliction or sorrow that is to be presented , we can be pretty sure of a set speech of the appropriate kind the emotional content of which ...
Strana 46
... speaker , and to the particular situation involved , and all the other various factors that might bring about modifications of the type . In Euripides the type - qualities one would expect from any classifica- tion according to ...
... speaker , and to the particular situation involved , and all the other various factors that might bring about modifications of the type . In Euripides the type - qualities one would expect from any classifica- tion according to ...
Strana 68
... speaker the best opportunities to refer continually to the impersonal higher authority of general moral principles , and this means of course that his own personal feelings and opinions have to be suppressed . The more purely objective ...
... speaker the best opportunities to refer continually to the impersonal higher authority of general moral principles , and this means of course that his own personal feelings and opinions have to be suppressed . The more purely objective ...
Obsah
PART ONE I Introduction page | 11 |
The Set Speech in Renaissance Drama and Con temporary Theory | 21 |
The Basic Types of Dramatic Set Speech | 44 |
Autorská práva | |
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action apostrophe appear beginning characters chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech earlier earth Edward effect Elizabethan drama Elizabethan Tragedy emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling Ferrex formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Schücking Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate