English Tragedy Before Shakespeare1967 |
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Strana 15
... style , something that includes also the meaning that is brought out by means of the various stylistic devices . By style is generally under- stood only the ' how ' of presentation , the technique of language by which a particular ...
... style , something that includes also the meaning that is brought out by means of the various stylistic devices . By style is generally under- stood only the ' how ' of presentation , the technique of language by which a particular ...
Strana 34
... style of tragedy should be grave and majestic . ' An ideal conception was formed of gravità , maestà , and dignità ( Castelvetro ) ; these qualities were to prevail through every part of the tragedy , and by those following the Senecan ...
... style of tragedy should be grave and majestic . ' An ideal conception was formed of gravità , maestà , and dignità ( Castelvetro ) ; these qualities were to prevail through every part of the tragedy , and by those following the Senecan ...
Strana 129
... style ' of the sixteenth- century Continental theatre exhibits many features corresponding to those of Tamburlaine , as may be illustrated from the style of production of the Rederijke Drama in Holland , which also employed tableaux ...
... style ' of the sixteenth- century Continental theatre exhibits many features corresponding to those of Tamburlaine , as may be illustrated from the style of production of the Rederijke Drama in Holland , which also employed tableaux ...
Obsah
PART ONE I Introduction page | 11 |
The Set Speech in Renaissance Drama and Con temporary Theory | 21 |
The Basic Types of Dramatic Set Speech | 44 |
Autorská práva | |
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action apostrophe appear beginning characters chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech earlier earth Edward effect Elizabethan drama Elizabethan Tragedy emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling Ferrex formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Schücking Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate