English Tragedy Before Shakespeare1967 |
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Strana 35
... true that some voices were raised in warning against too great a profusion of ornamenti in the diction and against diffuseness and circumlocution , but they remained in the minority and were not listened to.2 Even in dramatic theory ...
... true that some voices were raised in warning against too great a profusion of ornamenti in the diction and against diffuseness and circumlocution , but they remained in the minority and were not listened to.2 Even in dramatic theory ...
Strana 61
... true reason is that in this play the characters are merely an expedient whereby a train of events , essentially impersonal in itself , and designed solely to impart a moral , may be split up and distributed among a number of different ...
... true reason is that in this play the characters are merely an expedient whereby a train of events , essentially impersonal in itself , and designed solely to impart a moral , may be split up and distributed among a number of different ...
Strana 153
... true soliloquy , the utterance of a tragic hero who is overcome by a sense of desertion in the agony of his returning self - knowledge and his realization that he must carry on his struggle completely unaided . The tendency to- wards ...
... true soliloquy , the utterance of a tragic hero who is overcome by a sense of desertion in the agony of his returning self - knowledge and his realization that he must carry on his struggle completely unaided . The tendency to- wards ...
Obsah
PART ONE I Introduction page | 11 |
The Set Speech in Renaissance Drama and Con temporary Theory | 21 |
The Basic Types of Dramatic Set Speech | 44 |
Autorská práva | |
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action apostrophe appear beginning characters chronicle plays classical tragedy connexion conventional course death device dialogue diction Doctor Faustus dramatic lament dramatic set speech earlier earth Edward effect Elizabethan drama Elizabethan Tragedy emotional set speech English drama English tragedy episodes Euripides example expression Faustus feeling Ferrex formal lament formulas Gismond give Gorboduc grief haue heaven Hieronimo influence Jew of Malta kind King language later lines Locrine long set speeches long speeches longer lyrical M. C. Bradbrook Marlowe Marlowe's means merely Misfortunes of Arthur monologue moral motifs mourning nature parallel passages passionate pattern Peele playwrights plot poetic Porrex pre-Shakespearian drama prose Queen question Renaissance rhetorical figures rhetorical tragedy scene Schücking Selimus Seneca Shakespeare shows situation soliloquy sorrow Spanish Tragedy speak speaker stage structure style Tamburlaine technique theme thou tion true Tucker Brooke utterance W. W. Greg whole words Zenocrate