Performing ShakespeareNick Hern Books, 2007 - Počet stran: 274 Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Výsledky 1-3 z 48
Strana 15
... speak as scholars , or possess a natural volubility ' which enables them to speak well even when they don't understand the text [ never trust that an actor knows what he's saying ] . But through training , the scholar could be taught to ...
... speak as scholars , or possess a natural volubility ' which enables them to speak well even when they don't understand the text [ never trust that an actor knows what he's saying ] . But through training , the scholar could be taught to ...
Strana 43
... speak entirely in prose , though always sharply characterised and laced with verbal wit . Often there is the same structured rhetoric we saw in Falstaff , whether in Dogberry's malapropisms or Bottom's dream . But there's no mistaking ...
... speak entirely in prose , though always sharply characterised and laced with verbal wit . Often there is the same structured rhetoric we saw in Falstaff , whether in Dogberry's malapropisms or Bottom's dream . But there's no mistaking ...
Strana 103
... speak out loud what we're thinking . Thoughts inevitably seem different when put into words . They often need to be edited , developed , re- phrased . Shakespeare was a master at getting his characters to speak their way through this ...
... speak out loud what we're thinking . Thoughts inevitably seem different when put into words . They often need to be edited , developed , re- phrased . Shakespeare was a master at getting his characters to speak their way through this ...
Běžně se vyskytující výrazy a sousloví
acting action actor ambiguity Angelo Antony audience backstory Benedick BIRON boy player breath Brutus Burbage cast character character's Cicely Berry Claudius Cleopatra clown comedy comic Coriolanus death director disguise Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter Henry Iago iambic iambic pentameter imagination irony Isabella Judi Dench King Lear Lady Macbeth language Lear's Leontes London look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Twelfth Night verse Viola voice women words writing wrote