Horatian ode, 298.
Hudibrastic couplet, 167.
HUGO, V., pantoums of, 386.
HUNT, L., on Coleridge's verse,
16 n. ; on sonnets of Bowles,
278; on sonnets of Drummond,
274; on verse-form in poetry,
425 f.; Story of Rimini, 207 f.*;
The Fish to the Man, 283 *;
Wealth and Womanhood, 266 *.
Hymn to the Virgin ("Blessed
beo thu"), 260* ; (" Of on that
is"), 87 *.
Hypermetrical syllables, 58-60.
blank verse, 205; on Cowleyan
ode, 308 f.; on Dryden's Killi-
grew Ode, 310; on tone-color,
137; on verse-form in poetry,
417; Vanity of Human Wishes,
205.
JONSON, B.: Elegy, 74*; Epi-
grams, 185*; Epitaph, 92*;
Epitaph on Salathiel Pavey,
71*; Fit of Rhyme against
Rhyme, 123; influence on
classical school of verse, 186;
Pindaric Ode, 299 f.*; Sad
Shepherd, 225; Sejanus, 224*.
Judas, 254.
KAWCZYNSKI, on alliteration, 117;
on origin of alexandrine, 252.
KEATS: Chapman's Homer, 282;
Endymion, 209*; Eve of St.
Agnes, 105*; Grasshopper and
Cricket, 282; Hyperion, 242*;
Isabella, 100*; Lamia, 8*;
Mermaid Tavern, 38*; Ode to
Psyche, 143*; Sonnets of, 282;
Sonnet to Haydon, 22*.
KENT, A. J., on verse of Leigh
Hunt, 208 f.
King Horn, 154*.
KINGSLEY, C. : Andromeda, 354 *
KIPLING, R.: Last Chantey, 21 f.*;
Mulholland's Contract, 65*;
Song of the English, 49* ;
Wolcott Balestier, 44 f.*.
KITTREDGE, G. L., on French
decasyllabic couplet, 178.
JAMES I. (of Scotland): King's LACHMANN, on Anglo-Saxon verse,
Jesu for thi muchele miht, III*.
JOHNSON, S.: Lonaon, 205; on
LANDOR: Children Playing in a
Churchyard, 64*; English
Hexameters, 353*; on Milton's | LINDSAY, D.: Satyre of the Three
LANG, A. Ballade of Primitive
Man, 365 f.*; Ballades of Blue
China, 363, 365, 366; on Pope,
202 f.
LANGLAND: Piers Plowman, 119*.
LANGTOFT, P. DE, Chronicle of,
82.
LANIER, S.: Ballad of Trees and
the Master, 131*; his theory of
English verse, 391-393, 400;
Science of English Verse cited,
21, 49.
LARMINIE, W., on assonance, 115;
on quantity in English, 399; on
rime, 123.
Latin septenarius, 259; relation
to ballad metre, 264.
Latin verse, influence on octo-
syllabic couplet, 160 f.; influ-
ence on stanza, 63; rime in,
124 f.; used with Anglo-Saxon,
153.
Estates, 85*.
Little Soth Sermun, 261.
LLOYD, R., verses against blank
verse, 239 n.*.
LODGE: Phyllis, 273.
LOK, sonnets of, 273.
LONGFELLOW: Evangeline, 348*;
Golden Legend, 48*, 51*; hex-
ameters of, 348 f., 355; Hiawa-
tha, 37*,408; Maidenhood, 64 *;
Saga of King Olaf, 30 f.*;
Sonnets on Divina Commedia,
289 *.
Love in Idleness, pantoum from,
386-388 *.
LOWELL: Commemoration Ode,
317*; on Gray's Progress of
Poesy, 307; on Spenserian
stanza, 103.
LUICK, on revival of alliterative
verse, 156.
Lutel wot hit anymon, 174 f.*.
LYDGATE, rime royal of, 94.
LAYAMON: Brut, 118*, 127*; LYLY: Woman in the Moon, 219.
Lays, four-stress couplet in, 164 f.
LE GALLIENNE, R., irregular verse
of, burlesqued, 329 n.
Legend-Cycle, 255.
LEGOUIS, E., on Spenser's verse,
Lyrical verse characteristic, 395.
Lyrics, complex measures of early
English, 110 f.
LENTZNER, on the sonnet, 268, Malaysian verse, pantoum derived
Leonine rime, 132.
LEWIS, C. M., on octosyllabic coup-
let, 160 f.; on sources of Chau-
cer's verse, 179.
LIDDELL, M., his theories of Eng-
lish verse, 394 f., 401 n., 407.
MALHERBE, influence on heroic
verse, 187.
MANNING, R.: Chronicle, 82*,
254*; Handlying Synne, 163*;
simplifying of French metrical
forms by, 82 f.
MARLOWE, blank verse of, 221; | MINOT, L.: Battle of Halidon
couplets of, 210; Faustus, 57*,
219f.*; Hero and Leander, 181*,
190; Jew of Malta, 139*; Tam-
burlaine, 219*.
Marriage of Wit and Science,
255 f.*.
MASON, W., sonnets of, 277.
MASSINGER, blank verse of, 230;
New Way to Pay Old Debts,
229 *
Misfortunes of Arthur, 219.
MITCHELL, S. WEIR: Psalm of the
Waters, 36*.
MOLZA, FRANCESCO, 216.
"Monk's Tale stanza," 97.
Monologue d'outre Tombe, 386*.
MOODY, W. V.: Menagerie, 91 *;
Ode in Time of Hesitation, 321-
323*.
MASSON, on Milton's tailed sonnet, MOORE, T.: Believe me, if all those
MAYOR, J. B.: Chapters on English
Metre cited, 409; on Browning's
blank verse, 249; on Ellis's view
of accent, 4 n.; on substitutions
of feet, 60.
MEREDITH, G.: Phaethon, 339.
Metre, its place and function in
Metrical romances, tail-rime in,
84.
MEYER, C. F., on rime, 123, 124.
MIDDLETON, blank verse of, 228;
Changeling, 227 *.
MILL, J. S., on rhythm in poetry,
MILTON: At a Solemn Music, 329;
blank verse of, 232 f.; Il Pense-
roso, 166 f.*; L'Allegro, 38*;
Lycidas, 99*, 142*; Nativity
Ode, 33*, 107*; On his Blind-
ness, 275*; On Time, 329;
Paradise Lost, 4*, 7*, 15*, 57*,
endearing young charms, 40*;
Down in yon Summervale,
121 n. *; Go Where Glory
Waits Thee, 33 f. *.
MORRIS, R., on early octosyllabic
verse, 162.
MORRIS, W.: Earthly Paradise,
93 f.*, 173*; Fair Spring Morn-
ing, 329; Folk-Mote by the River,
159*; Jason, 213 *.
MOULTON, R. G., on Browning's
Caliban, 32.
MOUSSET, classical metres of, 331.
Music, its relation to verse, 391-
396, 407 n., 413 f., 434-436.
Must I be Carried to the Skies,
262*.
Mystery plays, verse of, 94 f., 112,
265.
NASH, T., on English hexameters,
342;
Preface to Menaphon,
NEWCOMER, A. G., on wrenched
58*, 59 *, 140 *, 141 *, 230 f.*; | Ne mai no lewed, etc., 109 f. *.
Passion, 94; Psalm II., 66*;
Psalm VI., 74*; Samson Agon-
istes, 231 f.*, 323-325 *; Sonnet
on Piedmont Massacre, 141 *;
sonnets of, 276.
NEWMAN, metre of his Iliad trans-
lation, 262.
NORDEN, on rime, 125.
Norse verse, influence on Anglo- | PHILIPS, J.: Cider, 238.
Saxon, 126; stanza in, 63.
Nutbrowne Maide (ballad), 132 *.
OCCLEVE, rime royal of, 94.
Octosyllabic couplet, 160-173.
PHILLIPS, S.: Marpessa, 251;
Paolo and Francesca, 250 f.*.
Phoenix, 153*.
Pindaric ode, 298, 299–307.
Pitch-accent, so-called, 5 f.
OLDHAM, J.: Satires upon the Jes- POE: Lenore, 134*; on English
O'SHAUGHNESSY, A.: Fountain of | POPE, A.: Essay on Criticism, 12*,
318*; on the ode, 319; Un-
known Eros, 319.
Pauses, 16-23; varied to preserve
metrical time, 404 f.
PAYNE, J., virelai of, 385.
57*, 142*, 199 f.*; Iliad, 200f.*;
on verse of Denham and Waller,
188; on verse of Dryden, 194;
rules of verse, 201 f.; Solitude,
27*.
Poulter's Measure, 255, 265 f.
Pre-Raphaelites, 10.
Preservation of King Henry VII.,
343.
PRIOR: Better Answer, 39*.
Provençal, lyrical forms of, 358,
383.
PUTTENHAM, G.: Arte of English
Poesie cited, 8 n., 18, 94 n.,
334 n.
Pyrrhic, 49, 55, 56.
Quantity in English, 391-406; in
English verse, 330, 332 f., 338,
354 f., 356, 357.
Quatrains, 69-77.
PEACOCK, T. L.: Misfortunes of Quinque Gaudia, 85*.
Elphin, 33*.
Pearl, The, 109*.
PECK, S. M.: Under the Rose, 382 *.
PEELE: Arraignment of Paris,
218*.
PETRARCA: Sonnet, 271*.
Phalacian verse, 331, 338.
RALEIGH, W.: Pilgrim to Pilgrim,
35 *.
RANCHIN: Triolet, 381*.
READ, T. B.: Drifting, 88*.
Refrain stanzas, 78-90.
Regular de Rhythmis, 81 *.
Rhythm, arts of, 413 f.; change of,
53-55, 61.
Rhythmus, meaning of, 124.
RICH, B.: Don Simonides, 219.
RIEGER, on rime in Anglo-Saxon,
126 n.
Love's Nocturn, 146*; My
Sister's Sleep, 75*; on Dray-
ton's sonnet, 293; Penumbra,
135*; Rose Mary, 91*; Sister
Helen, 80*; sonnets of, 285;
Sunset Wings, 89*; To Death
(rondeau), 374*; Willowwood,
9*.
Rime, 113, 121-135; as organizer
of stanza, 63; broken, 131 f.;
defended by Daniel, 336 n.; Roundel, in Chaucer, 369; Swin
feminine, 121, 128 f.; functions burne's form of, 376.
of, 122; imperfect, 122 n.; in ROWLANDS, S., verse of, 190.
Butler's Hudibras, 167 f.; in" Run-on" lines, 19 (see also En-
drama, 196-199; internal, 132- jambement).
135 (in ballads, 70; in Middle
English alexandrines, 255; in sep-
tenary, 259–261); objections to,
122 f.; origin of, 123-125; sus-
pected by classicists, 214, 232,
330; triple, 121, 128–131.
RUSSELL, T., sonnets of, 277.
SACKVILLE: Mirror for Magis-
trates, 94.
SACKVILLE (and NORTON): Gor-
boduc, 217*.
Rime couée, 80-86; in French, 81; SAINTSBURY, on alexandrine,
Rime royal, 93 f.; in Chaucer's
Balade, 361.
Riming Poem (Anglo-Saxon),
125 f.*.
ROBERT OF GLOUCESTER: Chroni-
cle, 265.
ROBERTSON, J. M., his theories of
English verse, 24 n., 392-394,
400, 403.
258 f.; on Blair, 237; on Dry-
den's couplet, 194 f.; on Dry-
den's dactyls, 40; on heroic
stanza, 73; on Shenstone, 35 f.;
on Thomson, 238.
SANDYS, G., heroic couplets of,
189 f., 191; influence on Pope's
verse, 201; Metamorphoses,
191*; Paraphrase of Luke, 63*.
Satire, heroic couplet in, 181, 182,
183, 206.
Satire on People of Kildare, 91 *.
Robin Hood (ballad), 70 *, 263 *.
Roland, Chanson de, 113 f.*.
Romance languages, assonance in, | Scandinavian verse, influence in
113.
Romance metres, regular time-in- SCHELLING, F. E., on Campion's
tervals in, 12, 14 n.
Rondeau, 368, 371-376.
Rondel, 368-371.
ROSSETTI: Ballad of Dead Ladies,
362 f.*; Blessed Damozel, 7*;
House of Life, 284*, 285*;
classical metres, 335 f.; on in-
fluence of Jonson's verse, 186;
on Raleigh's anapests, 35.
SCHILLER, elegiac distich of, 346;
on rhythm in the drama, 433.
SCHIPPER, on accent, 3; on Anglo.
|