English Verse: Specimens Illustrating Its Principles and History, Svazek 10Raymond Macdonald Alden H. Holt, 1903 - Počet stran: 459 |
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Strana xiii
... ) Sonnet V. THE ODE . A. - Regular Pindaric • B. Irregular ( Cowleyan ) • 174 · 174 • 213 252 252 259 " " · 265 • 267 · 270 · 290 298 · 299 • 307 C. - Choral • · 323 VI . IMITATIONS OF CLASSICAL METRES A. - Lyrical Measures CONTENTS xiii.
... ) Sonnet V. THE ODE . A. - Regular Pindaric • B. Irregular ( Cowleyan ) • 174 · 174 • 213 252 252 259 " " · 265 • 267 · 270 · 290 298 · 299 • 307 C. - Choral • · 323 VI . IMITATIONS OF CLASSICAL METRES A. - Lyrical Measures CONTENTS xiii.
Strana xiv
... Lyrical Measures · B. - Dactylic Hexameter VII , IMITATIONS OF ARTIFICIAL FRENCH LYRICAL FORMS - A. The Ballade - · B. The Rondeau and Rondel i . " Rondel " type ii . " Rondeau " type C. - The Villanelle D. The Triolet - • · E. • The ...
... Lyrical Measures · B. - Dactylic Hexameter VII , IMITATIONS OF ARTIFICIAL FRENCH LYRICAL FORMS - A. The Ballade - · B. The Rondeau and Rondel i . " Rondel " type ii . " Rondeau " type C. - The Villanelle D. The Triolet - • · E. • The ...
Strana 62
... lyrical verse the original idea was to conform the stanza to the melody for which it was written . Thus Schipper observes : " The word strophe properly signifies a turning , and originally indicated the return of the song , as sung , to ...
... lyrical verse the original idea was to conform the stanza to the melody for which it was written . Thus Schipper observes : " The word strophe properly signifies a turning , and originally indicated the return of the song , as sung , to ...
Strana 89
... : Go , lovely Rose . ab . 1650. ) The use of short lines somewhat intricately introduced among longer ones , is characteristic of the stanzas of the lyrical poets of the first part of the seventeenth century . traced in THE STANZA 89.
... : Go , lovely Rose . ab . 1650. ) The use of short lines somewhat intricately introduced among longer ones , is characteristic of the stanzas of the lyrical poets of the first part of the seventeenth century . traced in THE STANZA 89.
Strana 110
... lyrical poetry , often in intricate forms , and a smaller mass of imitative lyrics in Middle English . As Schipper observes , the elaborate lyrical forms were * The appendage to a stanza , based on one or more short lines , is sometimes ...
... lyrical poetry , often in intricate forms , and a smaller mass of imitative lyrics in Middle English . As Schipper observes , the elaborate lyrical forms were * The appendage to a stanza , based on one or more short lines , is sometimes ...
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English Verse: Specimens Illustrating Its Principles and History Raymond Macdonald Alden Úplné zobrazení - 1904 |
English Verse: Specimens Illustrating Its Principles and History Raymond Macdonald Alden Úplné zobrazení - 1922 |
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accent alexandrine alliteration Altenglische anapestic Anglo-Saxon ballade beauty blank verse called Catalectic century cesura Chaucer classical consonants couplet dactylic Death doth Dryden element Elizabethan English hexameter English poetry English verse Essay expression eyes feet five-stress following specimen foot four-stress French Gosse half-line hand harmony hath heart heaven heroic heroic couplet hexameters iambic imitation Italian King kiss language Latin light syllable long line lyrical measure melody metre metrical metrist Milton modern natural o'er ottava rima pause pleasure poem poet poetic Professor Corson prose prosody quantity quoted reader regular rhyme rhythm rhythmical rime rondeau Rose run-on says Schipper seems sense septenary SHAKSPERE sing song sonnet soul sound Spenser spondees stanza stress strophe sweet SWINBURNE syllables TENNYSON tercet thee thou thought time-intervals translation trochaic trochee unto versification Villanelle vowel W. E. HENLEY wind words Wyatt þat
Oblíbené pasáže
Strana 274 - Death, be not proud, though some have called thee Mighty and dreadful, for thou art not so ; For, those whom thou think'st thou dost overthrow, Die not, poor Death, nor yet canst thou kill me. From rest and sleep, which but thy pictures...
Strana 105 - I STOOD in Venice, on the Bridge of Sighs ; A palace and a prison on each hand : I saw from out the wave her structures rise As from the stroke of the enchanter's wand : A thousand years their cloudy wings expand Around me, and a dying Glory smiles O'er the far times, when many a subject land Look'd to the winged Lion's marble piles, Where Venice sate in state, throned on her hundred isles...
Strana 312 - Heaven lies about us in our infancy. Shades of the prison-house begin to close Upon the growing boy; But he beholds the light and whence it flows, He sees it in his joy. The youth who daily farther from the East Must travel, still is Nature's priest, And, by the vision splendid, Is on his way attended. At length the man perceives it die away And fade into the light of common day.
Strana 244 - The old order changeth, yielding place to new, And God fulfils Himself in many ways, Lest one good custom should corrupt the world.
Strana 222 - Ye elves of hills, brooks, standing lakes, and groves ; And ye that on the sands with printless foot Do chase the ebbing Neptune, and do fly him, When he comes back...
Strana 66 - O wild West Wind, thou breath of Autumn's being, Thou from whose unseen presence the leaves dead. Are driven, like ghosts from an enchanter fleeing...
Strana 280 - I'd rather be A Pagan suckled in a creed outworn; So might I, standing on this pleasant lea, Have glimpses that would make me less forlorn; Have sight of Proteus rising from the sea; Or hear old Triton blow his wreathed horn.
Strana 193 - Of these the false Achitophel was first, A name to all succeeding ages curst : For close designs and crooked counsels fit, Sagacious, bold, and turbulent of wit, Restless, unfixed in principles and place, In power unpleased, impatient of disgrace ; A fiery soul, which working out its way, Fretted the pigmy body to decay And o'cr-informed the tenement of clay.
Strana 139 - With purple grapes, green figs, and mulberries ; The honey bags steal from the humble-bees, And, for night-tapers, crop their waxen thighs, And light them at the fiery glowworm's eyes...
Strana 50 - Fear death? — to feel the fog in my throat, The mist in my face, When the snows begin, and the blasts denote I am nearing the place, The power of the night, the press of the storm, The post of the foe; Where he stands, the Arch Fear in a visible form, Yet the strong man must go...