Rhetoric and Renaissance CultureWalter de Gruyter, 22. 8. 2008 - Počet stran: 596 Der Band bietet eine kulturhistorische Darstellung der europäischen Renaissance mit dem Schwerpunkt von Poetik und Literatur unter den Aspekten Imagination/Inventio, Gattungstheorie/Dispositio, Stil/Elocutio, Architektur/Memoria sowie Darstellung/Actio. Shakespeares Werke dienen der exemplarischen Veranschaulichung der beschriebenen rhetorischen Phänomene. Besondere Aufmerksamkeit ist der Rhetorik von Malerei und Musik sowie der rhetorischen Kulturideologie gewidmet. |
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Strana vii
... concept of rhetorical poetics with additional material . Some individual chapters in sec- tion D are based on essays first published in German ; their original places of publication are mentioned here together with acknowledgement and ...
... concept of rhetorical poetics with additional material . Some individual chapters in sec- tion D are based on essays first published in German ; their original places of publication are mentioned here together with acknowledgement and ...
Strana 22
... concept is also evident by its skeletonized summary in the tabulae of Petrus Mosellanus (i. e. Peter Schade [1393-1424]), who was one of the great epitomizers of the time. His In Philippi Melanchthonis Rhetoricae Tabulae appeared ...
... concept is also evident by its skeletonized summary in the tabulae of Petrus Mosellanus (i. e. Peter Schade [1393-1424]), who was one of the great epitomizers of the time. His In Philippi Melanchthonis Rhetoricae Tabulae appeared ...
Strana 24
... concept of rhetoric, though this was realized on a smaller scale. The Englishman Leonard Cox (fl. 1535), a schoolmaster in Reading, made use of a pirated print of Melanchthon's De rhetorica published in Cologne in 1521,22 for his ...
... concept of rhetoric, though this was realized on a smaller scale. The Englishman Leonard Cox (fl. 1535), a schoolmaster in Reading, made use of a pirated print of Melanchthon's De rhetorica published in Cologne in 1521,22 for his ...
Strana 28
... concept of the affections in that its importance for the preacher is secondary compared to the moving power of the divine word; but, on the other hand, the impact of the classical canon with which he has become acquainted at Paris ...
... concept of the affections in that its importance for the preacher is secondary compared to the moving power of the divine word; but, on the other hand, the impact of the classical canon with which he has become acquainted at Paris ...
Strana 30
... concept of the affections.37 A famous Austrian preacher to illustrate this baroque exube- rance in rhetoric was Abraham a Santa Clara (1644-1709)38; his French counterpart was Jacques Bénigne Bossuet (1627-1709).39 34 Facsimile reprint ...
... concept of the affections.37 A famous Austrian preacher to illustrate this baroque exube- rance in rhetoric was Abraham a Santa Clara (1644-1709)38; his French counterpart was Jacques Bénigne Bossuet (1627-1709).39 34 Facsimile reprint ...
Obsah
1 | |
11 | |
85 | |
C Intermedial Rhetoric | 295 |
Shakespeare as Orator Poet | 413 |
E Iconography of Rhetoric and Eloquence | 499 |
Backmatter | 553 |
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