VOICE OF THE WIND.
Let no mean hope your souls enslave ;
Be independent, generous, brave;
Your father such example gave,
And such revere ;
But be admonish'd by his grave,
And think and fear!
VOICE OF THE WIND.
CONSTANCY
On all things works for good; the barren breeds,
The fluent stops, the fugitive is fixed
By constancy. I told you, did I not,
The story of the wind, how he himself,
The desultory wind, was wrought upon
The wind, when first he rose and went abroad
Through the waste region, felt himself at fault,
Wanting a voice; and suddenly to earth
Descended with a wafture and a swoop,
Where, wandering volatile from kind to kind,
He wooed the several trees to give him one.
First, he besought the ash; the voice she lent
Fitfully, with a free and lashing change,
Flung here and there its sad uncertainties:
The aspen next; a flutter'd frivolous twitter
Was her sole tribute: from the willow came,
So long as dainty summer dressed her out,
A whispering sweetness; but her winter note
Was hissing, dry, and reedy: lastly, the pine
THE POOR BLIND MAN.
Did he solicit, and from her he drew
A voice so constant, soft, and lowly deep,
That there he rested, welcoming in her
A mild memorial of the ocean-cave
Where he was born.
THE POOR BLIND MAN OF SALISBURY
CATHEDRAL.
THERE is a poor blind man, who, every day,
In frost or snow, in sunshine or in rain,
Duly as tolls the bell to the high fane,
Explores with faltering footsteps his dark way,
To kneel before his Maker, and to hear
The chanted service pealing full and clear.
Ask why, alone, in the same spot he kneels
Through the long year? Oh, the wide world is
cold
As dark to him: here he no longer feels
His sad bereavement- -faith and hope uphold
His heart; he feels not he is poor and blind,
Amid th' unpitying tumult of mankind:
His soul is in the choir above the skies,
And songs far off of angel companies.
Oh happy, if the rich, the vain, the proud,
The pageant actors of the motley crowd,-
Since life is "a poor play'r," our days a span,
Would learn one lesson from this poor blind man.
His wasted spirits quickly, by long toil
Incurring short fatigue; and though our years,
As life declines, speed rapidly away,
And not a year but pilfers as he goes
Some youthful grace that age would gladly keep,
A tooth or auburn lock, and by degrees
Their length and colour from the locks they spare,
The elastic spring of an unwearied foot
That mounts the stile with ease, or leaps the fence,
That play of lungs inhaling and again
Respiring freely the fresh air, that makes
Swift pace or steep ascent no toil to me;
Mine have not pilfer'd yet; nor yet impair'd
My relish of fair prospect; scenes that sooth'd
Or charm'd me young, no longer young I find
Still soothing, and of power to charm me still.
And witness, dear companion of my walks,
Whose arm this twentieth winter I perceive
Fast lock'd in mine, with pleasure such as love,
Confirm'd by long experience of thy worth
And well-tried virtues, could alone inspire,
Witness a joy that thou hast doubled long.
Thou know'st my praise of nature most sincere,
And that my raptures are not conjured up
To serve occasions of poetic pomp,
But genuine, and art partner of them all.
How oft upon yon eminence our pace
RURAL SIGHTS AND SOUNDS.
Has slacken'd to a pause, and we have borne
The ruffling wind, scarce conscious that it blew ;
While admiration, feeding at the eye
And still unsated, dwelt upon the scene!
Thence with what pleasure have we just discern'd The distant plough slow-moving, and beside
His labouring team that swerved not from the track,
The sturdy swain diminish'd to a boy!
Here Ouse, slow winding through a level plain
Of spacious meads with cattle sprinkled o'er,
Conducts the eye along his sinuous course
There, fast rooted in his bank,
Stand, never overlook'd, our favourite elms,
That screen the herdsman's solitary hut;
While far beyond and overthwart the stream,
That as with molten glass inlays the vale,
The sloping land recedes into the clouds,
Displaying on its varied side the
grace
Of hedgerow beauties numberless, square tower,
Tall spire from which the sound of cheerful bells
Just undulates upon the listening ear;
Groves, heaths, and smoking villages remote.
Scenes must be beautiful which, daily view'd,
Please daily, and whose novelty survives
Long knowledge and the scrutiny of years:
Praise justly due to those which I describe.
Nor rural sights alone, but rural sounds
Exhilarate the spirit, and restore
The tone of languid nature. Mighty winds,
That sweep the skirt of some far-spreading wood
Of ancient growth, make music not unlike
The dash of ocean on his winding shore,
And lull the spirit while they fill the mind;
Unnumber'd branches waving in the blast,
And all their leaves fast flutt'ring all at once.
Nor less composure waits upon the roar
Of distant floods, or on the softer voice
Of neighbouring fountain, or of rills that slip
Through the cleft rock, and, chiming as they fall
Upon loose pebbles, lose themselves at length
In matted grass, that with a livelier green
Betrays the secret of their silent course.
Nature inanimate employs sweet sounds,
But animated nature sweeter still,
To soothe and satisfy the human ear.
Ten thousand warblers cheer the day, and one
The livelong night: nor these alone whose notes
Nice-finger'd art must emulate in vain,
But cawing rooks, and kites that swim sublime
In still repeated circles, screaming loud,
The jay, the pie, and even the boding owl
That hails the rising moon, have charms for me:
Sounds inharmonious in themselves and harsh,
Yet heard in scenes where peace for ever reigns,
And only there please highly for their sake.
I HAVE found peace in the bright earth,
And in the sunny sky;
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